{"id":10653,"date":"2022-10-28T19:00:46","date_gmt":"2022-10-28T17:00:46","guid":{"rendered":"https:\/\/partitura.org\/?p=10653"},"modified":"2022-11-06T23:25:29","modified_gmt":"2022-11-06T21:25:29","slug":"josef-ferdinand-norbert-seger-fuga-con-seggetto-doppio-l-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/josef-ferdinand-norbert-seger-fuga-con-seggetto-doppio-l-2\/","title":{"rendered":"Josef Ferdinand Norbert Seger, Fuga con soggetto doppio (L 2)"},"content":{"rendered":"<p>A few days ago I started a new series with compositions by Fuga con seggetto doppio (see <a href=\"https:\/\/partitura.org\/index.php\/osef-ferdinand-norbert-seger-praeambulum-l-1\">here<\/a>. Today follows the second composition in this seris, a fugue with two subjects. <\/p>\n<p>As far as i know there does not exist yet a complete catalogue of compositions by Seger. I did found some CD-recordings where the compositions had a catalogue-like indication, for example L 78, of CH IX. When I listened to the various compositions on those CD&#8217;s, it turned out that all the compositions with an L-number were taken from the same manuscript that I am working from. And what&#8217;s more, the numbers corresponded with the order of compositions in that manuscript. For example, the Phantasia in d Moll, L 8, on that CD, is indeed the eigth composition in manuscript Becker III.8.63. I guess the &#8220;L&#8221; is a reference to library where the source is held: the Leipziger Stadtbibliothek. <\/p>\n<p>As there are a lot of compositions in this manuscript, some sort of numbering or indication is needed to keep them apart. The type of the piece and the tonality is not e nough as there are for example more than 20 preludes in C major. So I decided to adopt the numbering I first met listening to that CD, and give all the compositions and &#8221; L-number&#8221;. The fugue I publish here today is the second composition in this manuscript, and therefore indicated as L 2.<\/p>\n<p>The fugue shows Seger was very skilled in counterpoint. The fugues flows with a natural elegance and the result sounds as if writing a fugue is something easy to do. Well, perhaps for Seger it was.<\/p>\n<p>The recording was done with the sample set of the Silbermann organ of the <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Stadtkirche Z\u00f6blitz<\/a> by Prospectum.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/10\/Seger-002-Fuga-con-soggetto-doppio-d-moll.pdf\"data-kccpid=\"10653\">Seger, Fuga con soggetto doppio (L 2)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/fcgMik77jzk\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 25<\/p>","protected":false},"excerpt":{"rendered":"<p>A few days ago I started a new series with compositions by Fuga con seggetto doppio (see here. Today follows the second composition in this seris, a fugue with two subjects. As far as i know there does not exist yet a complete catalogue of compositions by Seger. I did found some CD-recordings where the compositions had a catalogue-like indication, for example L 78, of CH IX. When I listened to the various compositions on those CD&#8217;s, it turned out that all the compositions with an L-number were taken from the same manuscript that I am working from. And what&#8217;s more, the numbers corresponded with the order of compositions in that manuscript. For example, the Phantasia in d Moll, L 8, on that CD, is indeed the eigth composition in manuscript Becker III.8.63. I guess the &#8220;L&#8221; is a reference to library where the source is held: the Leipziger Stadtbibliothek. As there are a lot of compositions in this manuscript, some sort of numbering or indication is needed to keep them apart. The type of the piece and the tonality is not e nough as there are for example more than 20 preludes in C major. So I decided to adopt the numbering I first met listening to that CD, and give all the compositions and &#8221; L-number&#8221;. The fugue I publish here today is the second composition in this manuscript, and therefore indicated as L 2. The fugue shows Seger was very skilled in counterpoint. The fugues flows with a natural elegance and the result sounds as if writing a fugue is something easy to do. Well, perhaps for Seger it was. The recording was done with the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Seger, Fuga con soggetto doppio (L 2) Performance Views: 25<\/p>\n","protected":false},"author":1,"featured_media":10655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,337],"tags":[],"class_list":["post-10653","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-seger-josef-ferdinand-norbert","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/10\/Seger-L002-Fuga-con-seggetto-doppio.jpg?fit=1056%2C686&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2LP","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10653"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10653\/revisions"}],"predecessor-version":[{"id":10677,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10653\/revisions\/10677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10655"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10653"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10653"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}