{"id":10736,"date":"2022-11-19T19:00:17","date_gmt":"2022-11-19T17:00:17","guid":{"rendered":"https:\/\/partitura.org\/?p=10736"},"modified":"2022-11-16T23:08:26","modified_gmt":"2022-11-16T21:08:26","slug":"johann-blathasar-kehl-wach-auf-mein-herz-und-singe","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-blathasar-kehl-wach-auf-mein-herz-und-singe\/","title":{"rendered":"Johann Balthasar Kehl, Wach auf, mein Herz und Singe"},"content":{"rendered":"<p>After the two pedaliter choral preludes, Kehls prelude to the choral &#8220;Wach auf, mein Herz und singe&#8221; is again a manualiter piece. Though Kehl does not give a tempo indication, it seems to me that it should be played like an Allegro, or even Allegro Vivace. A nice detail of this composition is that Kehl takes the second words of the title of the choral (Wach auf = Wake up) rather literally. In the first four bars the right hand parts moves from the b flat of the small octave al the way up to the c of the three-lined octave. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Janke organ in the Stadtkirche of B\u00fcckeburg (https:\/\/www.sonusparadisi.cz\/en\/organs\/germany\/buckeburg-janke-organ.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a clas\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/11\/Kehl-Wach-auf-mein-Herz-und-Singe.pdf\">Kehl, Wach auf mein Herz und Singe<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-NS_u0XDyAg\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 13<\/p>","protected":false},"excerpt":{"rendered":"<p>After the two pedaliter choral preludes, Kehls prelude to the choral &#8220;Wach auf, mein Herz und singe&#8221; is again a manualiter piece. Though Kehl does not give a tempo indication, it seems to me that it should be played like an Allegro, or even Allegro Vivace. A nice detail of this composition is that Kehl takes the second words of the title of the choral (Wach auf = Wake up) rather literally. In the first four bars the right hand parts moves from the b flat of the small octave al the way up to the c of the three-lined octave. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Janke organ in the Stadtkirche of B\u00fcckeburg (https:\/\/www.sonusparadisi.cz\/en\/organs\/germany\/buckeburg-janke-organ.html). Score Kehl, Wach auf mein Herz und Singe Performance Views: 13<\/p>\n","protected":false},"author":1,"featured_media":10739,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[38,7],"tags":[],"class_list":["post-10736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kehl-johann-balthasar","category-scores","genre-choral-prelude","genre-nun-lasst-uns-gott-dem-herren","genre-wach-auf-mein-herz-und-singe"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/11\/Kehl-Wach-auf-mein-Herz.jpg?fit=1069%2C690&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Na","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10736","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10736"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10736\/revisions"}],"predecessor-version":[{"id":10756,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10736\/revisions\/10756"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10739"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10736"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}