{"id":10752,"date":"2022-12-05T19:00:58","date_gmt":"2022-12-05T17:00:58","guid":{"rendered":"https:\/\/partitura.org\/?p=10752"},"modified":"2022-11-16T23:32:44","modified_gmt":"2022-11-16T21:32:44","slug":"christian-gotthilf-tag-ich-weis-das-mein-erloser-lebt","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/christian-gotthilf-tag-ich-weis-das-mein-erloser-lebt\/","title":{"rendered":"Christian Gotthilf Tag, Ich wei\u00df da\u00df mein Erl\u00f6ser lebt"},"content":{"rendered":"<p>Tag&#8217;s prelude tot the choral &#8220;Ich wei\u00df da\u00df mein Erl\u00f6ser lebt&#8221; is again a nice composition. Tag writes an almost frivolous accompaniment with many many triplets staccato eight notes, that contracsts very nicely with the choral melody. Intruiging is that Tag writes several paralel octaves between accompaniment and choral melody. As Tag presents himself as an able craftsman in the compositions by his hans I&#8217;ve played thus fas, I&#8217;m not sure whether these paralels are intentional or the result of copy errors. <\/p>\n<p>The recording was done with the Hauptwerk software and the sample set, made by Voxus, of the Van Dam organ (1832) in Tholen (https:\/\/www.voxusorgans.com\/en\/product\/tholen).<\/p>\n<div id=\"score\"> <strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/11\/Tag-Ich-weiss-das-mein-Erloser-lebt.pdf\"data-kccpid=\"10752\">Tag, Ich weiss das mein Erl\u00f6ser lebt<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/wUFYq2T6p4A\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Views: 80<\/p>","protected":false},"excerpt":{"rendered":"<p>Tag&#8217;s prelude tot the choral &#8220;Ich wei\u00df da\u00df mein Erl\u00f6ser lebt&#8221; is again a nice composition. Tag writes an almost frivolous accompaniment with many many triplets staccato eight notes, that contracsts very nicely with the choral melody. Intruiging is that Tag writes several paralel octaves between accompaniment and choral melody. As Tag presents himself as an able craftsman in the compositions by his hans I&#8217;ve played thus fas, I&#8217;m not sure whether these paralels are intentional or the result of copy errors. The recording was done with the Hauptwerk software and the sample set, made by Voxus, of the Van Dam organ (1832) in Tholen (https:\/\/www.voxusorgans.com\/en\/product\/tholen). Score Tag, Ich weiss das mein Erl\u00f6ser lebt Performance Views: 80<\/p>\n","protected":false},"author":1,"featured_media":10755,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,302],"tags":[],"class_list":["post-10752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-tag-christian-gotthilf","genre-choral-prelude","genre-ich-weiss-das-mein-erloser-lebt"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Tag-Ich-Weiss.jpg?fit=1094%2C708&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Nq","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10752"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10752\/revisions"}],"predecessor-version":[{"id":10764,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10752\/revisions\/10764"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10755"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}