{"id":10891,"date":"2023-01-12T19:00:27","date_gmt":"2023-01-12T17:00:27","guid":{"rendered":"https:\/\/partitura.org\/?p=10891"},"modified":"2022-12-27T21:26:55","modified_gmt":"2022-12-27T19:26:55","slug":"christian-gottlob-hopner-wer-nur-den-lieben-gott-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/christian-gottlob-hopner-wer-nur-den-lieben-gott-2\/","title":{"rendered":"Christian Gottlob H\u00f6pner, Wer nur den lieben Gott (2)"},"content":{"rendered":"<p>The second prelude to the melody of &#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221; from H\u00f6pner&#8217;s opus 2 features the choral melody in the left hand. In this prelude the musical story surrounding the choral melody takes up an even larger role than in the first prelude. H\u00f6pner take almost one and a half minute to paint the mood of the choral before the choral melody enters. And after the choral melody has sounded, H\u00f6pner writes more than two minutes of music to bting the whole to a satisfying conclusion. I can only hope the rest of the choral preludes of H\u00f6pnber&#8217;s opus 2 are as beautiful and intense as this one. <\/p>\n<p>The recording was done with the sample set of the <a href=\"https:\/\/www.piotrgrabowski.pl\/friesach.html\">Eisenbach organ of the St. Bartholom\u00e4us church in Friesach<\/a>, by Piotr Grabowski<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2022\/12\/Hoepner-Wer-nur-den-lieben-Gott-2.pdf\" data-kccpid=\"10891\">H\u00f6pner, Wer nur den lieben Gott (2)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/bQI59sSs3aQ\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Views: 23<\/p>","protected":false},"excerpt":{"rendered":"<p>The second prelude to the melody of &#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221; from H\u00f6pner&#8217;s opus 2 features the choral melody in the left hand. In this prelude the musical story surrounding the choral melody takes up an even larger role than in the first prelude. H\u00f6pner take almost one and a half minute to paint the mood of the choral before the choral melody enters. And after the choral melody has sounded, H\u00f6pner writes more than two minutes of music to bting the whole to a satisfying conclusion. I can only hope the rest of the choral preludes of H\u00f6pnber&#8217;s opus 2 are as beautiful and intense as this one. The recording was done with the sample set of the Eisenbach organ of the St. Bartholom\u00e4us church in Friesach, by Piotr Grabowski Score H\u00f6pner, Wer nur den lieben Gott (2) Performance Views: 23<\/p>\n","protected":false},"author":1,"featured_media":10896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[339,7],"tags":[],"class_list":["post-10891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hopner-christian-gottlob","category-scores","genre-choral-prelude","genre-wer-nur-den-lieben-gott-lasst-walten"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2022\/12\/Hopner-Wer-nur-den-lieben-Gott-2.jpg?fit=1088%2C701&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2PF","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10891","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10891"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10891\/revisions"}],"predecessor-version":[{"id":10898,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10891\/revisions\/10898"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10896"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10891"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10891"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10891"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}