{"id":10982,"date":"2023-07-30T19:00:02","date_gmt":"2023-07-30T17:00:02","guid":{"rendered":"https:\/\/partitura.org\/?p=10982"},"modified":"2023-07-01T17:12:49","modified_gmt":"2023-07-01T15:12:49","slug":"johann-christoph-oley-ach-was-soll-ich-sunder-machen-3","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-christoph-oley-ach-was-soll-ich-sunder-machen-3\/","title":{"rendered":"Johann Christoph Oley, Ach was soll ich S\u00fcnder machen (3)"},"content":{"rendered":"<p>This prelude to the chorale &#8220;Ach was soll ich S\u00fcnder machen&#8221; is the third one Oley wrote based on this melody. The first two (https:\/\/partitura.org\/index.php\/johann-christoph\u2026ch-sunder-machen\/ and https:\/\/partitura.org\/index.php\/johann-christoph\u2026-sunder-machen-2\/) feature an elaborated pedal part. This third one is manualiter only. It is a nice composition that follows more the harmonic outline of the choral than the melodie itself. <\/p>\n<p>The recording was done with the Hauptwerk software and the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum (https:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9).<\/p>\n<div id=\"score\"> <strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2023\/06\/Oley-Ach-was-soll-ich-Sunder-machen.pdf\"data-kccpid=\"10982\">Oley, Ach was soll ich S\u00fcnder machen<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/9Y-szBSYLpI\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Views: 12<\/p>","protected":false},"excerpt":{"rendered":"<p>This prelude to the chorale &#8220;Ach was soll ich S\u00fcnder machen&#8221; is the third one Oley wrote based on this melody. The first two (https:\/\/partitura.org\/index.php\/johann-christoph\u2026ch-sunder-machen\/ and https:\/\/partitura.org\/index.php\/johann-christoph\u2026-sunder-machen-2\/) feature an elaborated pedal part. This third one is manualiter only. It is a nice composition that follows more the harmonic outline of the choral than the melodie itself. The recording was done with the Hauptwerk software and the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum (https:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9). Score Oley, Ach was soll ich S\u00fcnder machen Performance Views: 12<\/p>\n","protected":false},"author":1,"featured_media":11010,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,7],"tags":[],"class_list":["post-10982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oley-johann-christoph","category-scores","genre-ach-was-soll-ich-sunder-machen","genre-choral-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Oley-Ach-was-soll-ich-Sunder-machen.png?fit=1141%2C732&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2R8","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10982"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10982\/revisions"}],"predecessor-version":[{"id":11097,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10982\/revisions\/11097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11010"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}