{"id":10989,"date":"2023-08-23T19:00:08","date_gmt":"2023-08-23T17:00:08","guid":{"rendered":"https:\/\/partitura.org\/?p=10989"},"modified":"2023-07-01T18:10:25","modified_gmt":"2023-07-01T16:10:25","slug":"johann-christoph-oley-wie-gross-ist-des-allmachtgen-gute","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-christoph-oley-wie-gross-ist-des-allmachtgen-gute\/","title":{"rendered":"Johann Christoph Oley, Wie gross ist des Allm\u00e4cht&#8217;gen G\u00fcte"},"content":{"rendered":"<p>A chorale prelude to &#8220;Wie gross ist des Allm\u00e4cht&#8217;gen G\u00fcte&#8221; is not something you come often across. And there appear to be several melodies in use for this particular choral. As far as I know Oley is the only one who uses this melody. An exeption might be the choral prelude by Johann Adam Hiller, but I&#8217;ve only seen the first two bars of that one. So this composition is a bit of a rare one. Oley writes a nicely flowing three part texture that seems to me to focus more on the &#8216;good&#8217; (G\u00fcte&#8221;) than ond the great (&#8216;gross&#8217;).<\/p>\n<p>The recording was done with the Hauptwerk software and the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum (https:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9).<\/p>\n<div id=\"score\"> <strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2023\/07\/Oley-Wie-gross.pdf\"data-kccpid=\"10989\">Oley, Wie gross ist des Allm\u00e4cht&#8217;gen G\u00fcte<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BlHIdYTnIB8\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n<p>Views: 15<\/p>","protected":false},"excerpt":{"rendered":"<p>A chorale prelude to &#8220;Wie gross ist des Allm\u00e4cht&#8217;gen G\u00fcte&#8221; is not something you come often across. And there appear to be several melodies in use for this particular choral. As far as I know Oley is the only one who uses this melody. An exeption might be the choral prelude by Johann Adam Hiller, but I&#8217;ve only seen the first two bars of that one. So this composition is a bit of a rare one. Oley writes a nicely flowing three part texture that seems to me to focus more on the &#8216;good&#8217; (G\u00fcte&#8221;) than ond the great (&#8216;gross&#8217;). The recording was done with the Hauptwerk software and the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum (https:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9). Score Oley, Wie gross ist des Allm\u00e4cht&#8217;gen G\u00fcte Performance Views: 15<\/p>\n","protected":false},"author":1,"featured_media":11011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[25,7],"tags":[],"class_list":["post-10989","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oley-johann-christoph","category-scores","genre-choral-prelude","genre-wie-gross-ist-des-allmachtgen-gute"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Oley-Wie-gross-ist-des-Almachtgen-Gute.jpg?fit=1113%2C710&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Rf","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=10989"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10989\/revisions"}],"predecessor-version":[{"id":11110,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/10989\/revisions\/11110"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11011"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=10989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=10989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=10989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}