{"id":11024,"date":"2023-08-21T19:00:32","date_gmt":"2023-08-21T17:00:32","guid":{"rendered":"https:\/\/partitura.org\/?p=11024"},"modified":"2023-08-24T21:05:12","modified_gmt":"2023-08-24T19:05:12","slug":"josef-ferdinand-norbert-seger-transitus-per-omnes-tonos-l-15","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/josef-ferdinand-norbert-seger-transitus-per-omnes-tonos-l-15\/","title":{"rendered":"Josef Ferdinand Norbert Seger, Transitus per omnes tonos (L 15)"},"content":{"rendered":"<p>The fifteenth composition from manuscript ecker III.8.63, held at the St\u00e4dtische Bibliotheken Leipzig is a rather ambitious one. Called &#8220;Transitus per omnes tonos&#8221; it promises a passage through all tonalities. The compositions does not touch all posibly tonalities, but it certainly goes through a lot of sharps and flats. It is actually a bit too much for the fifth comma mean-tone temperament of the Poln\u00e1 sample set.<\/p>\n<p>The recording was done with the Hauptwerk software and the demo sampleset, made by Sonus Paradisi, of the Sieber organ in the Church of the Assumption of the Virgin Mary, Poln\u00e1 (https:\/\/www.sonusparadisi.cz\/en\/organs\/czech\/polna-sample-set.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2023\/06\/Seger-015-Transitus-per-omnes-tonos.pdf\" data-kccpid=\"11024\">Seger, Transitus per omnes tonos (L 15)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/CmTebE6BdHU\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 37<\/p>","protected":false},"excerpt":{"rendered":"<p>The fifteenth composition from manuscript ecker III.8.63, held at the St\u00e4dtische Bibliotheken Leipzig is a rather ambitious one. Called &#8220;Transitus per omnes tonos&#8221; it promises a passage through all tonalities. The compositions does not touch all posibly tonalities, but it certainly goes through a lot of sharps and flats. It is actually a bit too much for the fifth comma mean-tone temperament of the Poln\u00e1 sample set. The recording was done with the Hauptwerk software and the demo sampleset, made by Sonus Paradisi, of the Sieber organ in the Church of the Assumption of the Virgin Mary, Poln\u00e1 (https:\/\/www.sonusparadisi.cz\/en\/organs\/czech\/polna-sample-set.html). Score Seger, Transitus per omnes tonos (L 15) Performance Views: 37<\/p>\n","protected":false},"author":1,"featured_media":11036,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,337],"tags":[],"class_list":["post-11024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-seger-josef-ferdinand-norbert","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Seger-L15.png?fit=1122%2C714&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2RO","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11024","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11024"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11024\/revisions"}],"predecessor-version":[{"id":11123,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11024\/revisions\/11123"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11036"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11024"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11024"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11024"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}