{"id":11049,"date":"2023-09-01T19:00:02","date_gmt":"2023-09-01T17:00:02","guid":{"rendered":"https:\/\/partitura.org\/?p=11049"},"modified":"2023-11-05T11:21:46","modified_gmt":"2023-11-05T09:21:46","slug":"johann-ernst-rembt-trio-nr-12-es-dur","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-ernst-rembt-trio-nr-12-es-dur\/","title":{"rendered":"Johann Ernst Rembt, Trio nr. 12, Es Dur"},"content":{"rendered":"<p>In 1787 Rembt published 12 Trios for organ. Manuscript Ec 268.5, held by the Universit\u00e4ts- und Landesbibliothek, Bonn, contains 6 of these 12 Trios.The last of these six is a trio in E flet major. In my opinion it is the most beautiful of the six and the best written one. The main theme of the trio is not only for the hands, but the feet get their turn in playing the main theme as well. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Janke organ in the Stadtkirche of B\u00fcckeburg (https:\/\/www.sonusparadisi.cz\/en\/organs\/germany\/buckeburg-janke-organ.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2023\/06\/Rembt-Trio-6.pdf\" data-kccpid=\"11049\">Rembt, Trio nr. 12, Es Dur<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/WeRG9hP779o\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 25<\/p>","protected":false},"excerpt":{"rendered":"<p>In 1787 Rembt published 12 Trios for organ. Manuscript Ec 268.5, held by the Universit\u00e4ts- und Landesbibliothek, Bonn, contains 6 of these 12 Trios.The last of these six is a trio in E flet major. In my opinion it is the most beautiful of the six and the best written one. The main theme of the trio is not only for the hands, but the feet get their turn in playing the main theme as well. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Janke organ in the Stadtkirche of B\u00fcckeburg (https:\/\/www.sonusparadisi.cz\/en\/organs\/germany\/buckeburg-janke-organ.html). Score Rembt, Trio nr. 12, Es Dur Performance Views: 25<\/p>\n","protected":false},"author":1,"featured_media":11060,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[342,7],"tags":[],"class_list":["post-11049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rembt-johann-ernst","category-scores","genre-trio"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2023\/06\/Rembt-Trio-nr-12.png?fit=1131%2C723&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Sd","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11049","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11049"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11049\/revisions"}],"predecessor-version":[{"id":11154,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11049\/revisions\/11154"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11060"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11049"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11049"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11049"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}