{"id":11193,"date":"2024-04-14T11:00:52","date_gmt":"2024-04-14T09:00:52","guid":{"rendered":"https:\/\/partitura.org\/?p=11193"},"modified":"2024-04-14T09:01:49","modified_gmt":"2024-04-14T07:01:49","slug":"josef-ferdinand-norbert-seger-praeludium-b-dur-l-18","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/josef-ferdinand-norbert-seger-praeludium-b-dur-l-18\/","title":{"rendered":"Josef Ferdinand Norbert Seger, Pr\u00e6ludium, B Dur (L 18)"},"content":{"rendered":"<p>The 18th composition from manuscript Becker III.8.63 is a prelude in B flat major. It is a nice play with the motif introduced in bars two and three. The prelude wanders up and down the circle of fifths, thus giving it structure. The prelude starts in B flat major (obviously) and subsequently touches the tonalities of F major, d minor, g minor, c minor, f minor, E flat major, c minor, g minor and back to B flat major. The final bars are a long dominant section before the pece concludes on a B flat major chord. <\/p>\n<p>The recording was done with the Sweelinq software and the sampleset of the M\u00fcller organ in the Grote Kerk, Leeuwarden (https:\/\/sweelinq.com\/product\/leeuwarden-nl-grote-kerk-muller-organ\/). <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2024\/04\/Seger-018-Praembulum-Bes-Dur.pdf\"data-kccpid=\"11193\">Seger, Pr\u00e6ludium, B Dur (L 18)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/IFu1SgcqUsw\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 42<\/p>","protected":false},"excerpt":{"rendered":"<p>The 18th composition from manuscript Becker III.8.63 is a prelude in B flat major. It is a nice play with the motif introduced in bars two and three. The prelude wanders up and down the circle of fifths, thus giving it structure. The prelude starts in B flat major (obviously) and subsequently touches the tonalities of F major, d minor, g minor, c minor, f minor, E flat major, c minor, g minor and back to B flat major. The final bars are a long dominant section before the pece concludes on a B flat major chord. The recording was done with the Sweelinq software and the sampleset of the M\u00fcller organ in the Grote Kerk, Leeuwarden (https:\/\/sweelinq.com\/product\/leeuwarden-nl-grote-kerk-muller-organ\/). Score Seger, Pr\u00e6ludium, B Dur (L 18) Performance Views: 42<\/p>\n","protected":false},"author":1,"featured_media":11203,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,337],"tags":[],"class_list":["post-11193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-seger-josef-ferdinand-norbert","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2024\/04\/Seger-L18.jpg?fit=996%2C632&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Ux","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11193"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11193\/revisions"}],"predecessor-version":[{"id":11207,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11193\/revisions\/11207"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11203"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}