{"id":11478,"date":"2025-05-07T19:00:47","date_gmt":"2025-05-07T17:00:47","guid":{"rendered":"https:\/\/partitura.org\/?p=11478"},"modified":"2025-04-30T11:54:52","modified_gmt":"2025-04-30T09:54:52","slug":"johann-peter-kellner-wer-nur-den-lieben-gott-last-walten","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-peter-kellner-wer-nur-den-lieben-gott-last-walten\/","title":{"rendered":"Johann Peter Kellner, Wer nur den lieben Gott l\u00e4\u00dft walten"},"content":{"rendered":"<p>Kellner&#8217;s choral prelude to the choral &#8221; Johann Peter Kellner, Wer nur den lieben Gott l\u00e4\u00dft walten&#8221; is not without it&#8217;s surprises and technical difficulties. The choral melody is played with the left hand. The two part accompaniment in the right hand is maintained throughout the whle composition. Several phrases of the choral melody are played with the pedals as well. The compositorial demands Kellner poses himself are a bit above his talent in counterpoint, as the voice leading is in places rather awkward. Kellner&#8217;s talent in writing pleasing music make more than up for the deficiencies in counterpoint, resulting in a fun piece to play. <\/p>\n<p>The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2025\/04\/Kellner-Wer-nur-den-lieben-Gott.pdf\"data-kccpid=\"11478\">Kellner, Wer nur den lieben Gott<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/kXfcLCNTwgA\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 52<\/p>","protected":false},"excerpt":{"rendered":"<p>Kellner&#8217;s choral prelude to the choral &#8221; Johann Peter Kellner, Wer nur den lieben Gott l\u00e4\u00dft walten&#8221; is not without it&#8217;s surprises and technical difficulties. The choral melody is played with the left hand. The two part accompaniment in the right hand is maintained throughout the whle composition. Several phrases of the choral melody are played with the pedals as well. The compositorial demands Kellner poses himself are a bit above his talent in counterpoint, as the voice leading is in places rather awkward. Kellner&#8217;s talent in writing pleasing music make more than up for the deficiencies in counterpoint, resulting in a fun piece to play. The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). Score Kellner, Wer nur den lieben Gott Performance Views: 52<\/p>\n","protected":false},"author":1,"featured_media":11482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16,7],"tags":[],"class_list":["post-11478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kllner-johann-peter","category-scores","genre-choral-prelude","genre-wer-nur-den-lieben-gott-lasst-walten"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/04\/Kellner-Wer-nur.png?fit=1181%2C751&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Z8","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11478"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11478\/revisions"}],"predecessor-version":[{"id":11492,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11478\/revisions\/11492"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11482"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}