{"id":11496,"date":"2025-07-31T19:00:13","date_gmt":"2025-07-31T17:00:13","guid":{"rendered":"https:\/\/partitura.org\/?p=11496"},"modified":"2025-07-23T14:44:06","modified_gmt":"2025-07-23T12:44:06","slug":"johann-georg-bernhard-beutler-wer-nur-den-lieben-gott-lasst-walten","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-georg-bernhard-beutler-wer-nur-den-lieben-gott-lasst-walten\/","title":{"rendered":"Johann Georg Bernhard Beutler, Wer nur den lieben Gott l\u00e4sst walten"},"content":{"rendered":"<p>As in the previouw two choral preludes, Beutler does not indicae a repeat in his prelude to &#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221;. As a player you have to make the choice to play it without a repetition or to stay true to the choral melody. When you want to create a repeat (as I did in my performance) you can easily do so, by skipping back to bar 2 after having played bar 13.<br \/>\nIt is a very nice sounding chorale prelude, that&#8217;s well worth the trouble of practising it. <\/p>\n<p>The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html).<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2025\/05\/Beutler-Wer-nur-den-lieben-Gott.pdf\"data-kccpid=\"11496\">Beutler, Wer nur den lieben Gott<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/PsqAT0EQkTM\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 83<\/p>","protected":false},"excerpt":{"rendered":"<p>As in the previouw two choral preludes, Beutler does not indicae a repeat in his prelude to &#8220;Wer nur den lieben Gott l\u00e4sst walten&#8221;. As a player you have to make the choice to play it without a repetition or to stay true to the choral melody. When you want to create a repeat (as I did in my performance) you can easily do so, by skipping back to bar 2 after having played bar 13. It is a very nice sounding chorale prelude, that&#8217;s well worth the trouble of practising it. The recording was done with the Hauptwerk software and the sampleset, made by Sonus Paradisi, of the Schnittger organ in the St. Martini-kerk, Groningen (https:\/\/www.sonusparadisi.cz\/en\/organs\/netherlands\/groningen-st-martini.html). Score Beutler, Wer nur den lieben Gott Performance Views: 83<\/p>\n","protected":false},"author":1,"featured_media":11540,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[352,7],"tags":[],"class_list":["post-11496","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beutler-johann-georg-bernhard","category-scores","genre-choral-prelude","genre-wer-nur-den-lieben-gott-lasst-walten"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/07\/Beutler-Wer-nure-dne-lieben-Gott.png?fit=1175%2C744&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-2Zq","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11496"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11496\/revisions"}],"predecessor-version":[{"id":11590,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11496\/revisions\/11590"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11540"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}