{"id":11542,"date":"2025-08-02T19:00:49","date_gmt":"2025-08-02T17:00:49","guid":{"rendered":"https:\/\/partitura.org\/?p=11542"},"modified":"2025-07-26T08:29:14","modified_gmt":"2025-07-26T06:29:14","slug":"christian-reichardt-freu-dich-sehr-o-meine-seele","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/christian-reichardt-freu-dich-sehr-o-meine-seele\/","title":{"rendered":"Christian Reichardt, Freu dich sehr, o meine Seele"},"content":{"rendered":"<p>K\u00f6rner&#8217;s &#8220;Der angehende Organist&#8221; (Leipzig : Siegel , 1895) is a collection of short and easy compositions for organ, meant for use in service &#8220;f\u00fcr weniger ge\u00fcbte Organisten&#8221; (lesser trained organists). The collection contains a chorale prelude to the melody of &#8220;Freu dich sehr, o liebe Seele&#8221;, composed by Cghristian Reichardt. I only have 4 compositions by his hand on my site, so it is nice to come acroos anpther one. The composition features teh choral melody in both the left hand and the right hand. To give the piece a bit of bit, I play it using 16 feet reeds. <\/p>\n<p>The recording was done with the Sweelinq software and the sampleset of the Wolfferts-Heijneman organ in the Maartenskerk, Zaltbommel (https:\/\/sweelinq.com\/product\/zaltbommel-nl-st-maartenskerk-wolfferts-heijneman-organ\/). <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2025\/07\/Reichardt-Freu-dich-sehr.pdf\"data-kccpid=\"11542\">Reichardt, Freu dich sehr<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NND2QIdsyss\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 111<\/p>","protected":false},"excerpt":{"rendered":"<p>K\u00f6rner&#8217;s &#8220;Der angehende Organist&#8221; (Leipzig : Siegel , 1895) is a collection of short and easy compositions for organ, meant for use in service &#8220;f\u00fcr weniger ge\u00fcbte Organisten&#8221; (lesser trained organists). The collection contains a chorale prelude to the melody of &#8220;Freu dich sehr, o liebe Seele&#8221;, composed by Cghristian Reichardt. I only have 4 compositions by his hand on my site, so it is nice to come acroos anpther one. The composition features teh choral melody in both the left hand and the right hand. To give the piece a bit of bit, I play it using 16 feet reeds. The recording was done with the Sweelinq software and the sampleset of the Wolfferts-Heijneman organ in the Maartenskerk, Zaltbommel (https:\/\/sweelinq.com\/product\/zaltbommel-nl-st-maartenskerk-wolfferts-heijneman-organ\/). Score Reichardt, Freu dich sehr Performance Views: 111<\/p>\n","protected":false},"author":1,"featured_media":11546,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[85,7],"tags":[],"class_list":["post-11542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reichardt-christian","category-scores","genre-choral-prelude","genre-freu-dich-sehr-o-meine-seele"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/07\/Reichardt-Freu-dich-sehr.png?fit=1172%2C751&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-30a","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11542"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11542\/revisions"}],"predecessor-version":[{"id":11594,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11542\/revisions\/11594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11546"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}