{"id":11553,"date":"2025-08-06T19:00:53","date_gmt":"2025-08-06T17:00:53","guid":{"rendered":"https:\/\/partitura.org\/?p=11553"},"modified":"2025-07-26T08:43:54","modified_gmt":"2025-07-26T06:43:54","slug":"johann-georg-bernhard-beutler-freu-dich-sehr-o-meine-seele","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-georg-bernhard-beutler-freu-dich-sehr-o-meine-seele\/","title":{"rendered":"Johann Georg Bernhard Beutler, Freu dich sehr, o meine Seele"},"content":{"rendered":"<p>Beutler&#8217;s prelude to the chorale &#8220;Freu dich sehr, o meine Seele&#8221; was in his own time famous and widely used. And not without reason, as it is a very well written and beautiful piece. As in the previous preludes by Beutler I published, there is no repeat indicated, but it easy to see where it could be inserted, if you want to play the complete choral melody. <\/p>\n<p>The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2025\/07\/Beutler-Freu-dich-sehr.pdf\"data-kccpid=\"11553\">Beutler, Freu dich sehr, o meine Seele<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/\/n8WUNeSjtbM\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 92<\/p>","protected":false},"excerpt":{"rendered":"<p>Beutler&#8217;s prelude to the chorale &#8220;Freu dich sehr, o meine Seele&#8221; was in his own time famous and widely used. And not without reason, as it is a very well written and beautiful piece. As in the previous preludes by Beutler I published, there is no repeat indicated, but it easy to see where it could be inserted, if you want to play the complete choral melody. The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). Score Beutler, Freu dich sehr, o meine Seele Performance Views: 92<\/p>\n","protected":false},"author":1,"featured_media":11556,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[352,7],"tags":[],"class_list":["post-11553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beutler-johann-georg-bernhard","category-scores","genre-choral-prelude","genre-freu-dich-sehr-o-meine-seele"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/07\/Beutler-Freu-dich-sehr.png?fit=1185%2C747&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-30l","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11553"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11553\/revisions"}],"predecessor-version":[{"id":11596,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11553\/revisions\/11596"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11556"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}