{"id":11608,"date":"2025-09-17T10:10:51","date_gmt":"2025-09-17T08:10:51","guid":{"rendered":"https:\/\/partitura.org\/?p=11608"},"modified":"2025-09-17T10:10:51","modified_gmt":"2025-09-17T08:10:51","slug":"josef-ferdinand-norbert-seger-praeludium-a-moll-l-24","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/josef-ferdinand-norbert-seger-praeludium-a-moll-l-24\/","title":{"rendered":"Josef Ferdinand Norbert Seger, Pr\u00e6ludium, a moll (L 24)"},"content":{"rendered":"<p>Seger&#8217;s prelude in a moll, L 24, is, like many of Seger&#8217;s preludes based on a single motif. The motif is introduced in the first bar and Seger uses it as a building block to move through a variety of tonal centers. It is a charming piece and nice to play.<\/p>\n<p>This is the last recording I made before breaking my arm. The rest of Seger&#8217;s works will ahve to wait my arm and playing ability is suffiently healed.<\/p>\n<p>The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2025\/09\/Seger-024-Praeludium-a-moll.pdf\" data-kccpid=\"11608\">Seger, Pr\u00e6ludium, a moll (L 24)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HA9KNad_6ho\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 535<\/p>","protected":false},"excerpt":{"rendered":"<p>Seger&#8217;s prelude in a moll, L 24, is, like many of Seger&#8217;s preludes based on a single motif. The motif is introduced in the first bar and Seger uses it as a building block to move through a variety of tonal centers. It is a charming piece and nice to play. This is the last recording I made before breaking my arm. The rest of Seger&#8217;s works will ahve to wait my arm and playing ability is suffiently healed. The recording was made with the Sweelinq software and the sampleset of the Vater-M\u00fcller organ in the Oude Kerk, Amsterdam (https:\/\/sweelinq.com\/product\/oude-kerk-amsterdam-vater-muller\/). Score Seger, Pr\u00e6ludium, a moll (L 24) Performance Views: 535<\/p>\n","protected":false},"author":1,"featured_media":11611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,337],"tags":[],"class_list":["post-11608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-seger-josef-ferdinand-norbert","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2025\/09\/Seger-L24.png?fit=1183%2C756&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-31e","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=11608"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11608\/revisions"}],"predecessor-version":[{"id":11613,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/11608\/revisions\/11613"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/11611"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=11608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=11608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=11608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}