{"id":1371,"date":"2015-12-20T07:25:04","date_gmt":"2015-12-20T05:25:04","guid":{"rendered":"http:\/\/partitura.org\/?p=1371"},"modified":"2021-12-25T15:19:21","modified_gmt":"2021-12-25T13:19:21","slug":"johann-baptist-anton-vallade-preambulum-iv","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-baptist-anton-vallade-preambulum-iv\/","title":{"rendered":"Johann Baptist Anton Vallade, Preambulum IV"},"content":{"rendered":"<p>The fourth prelude from Vallade&#8217;s &#8220;Dreyfaches Musicalisches Exercitium&#8221;. For a short biography of Vallade and the first prelude see <a href=\"https:\/\/partitura.org\/index.php\/johann-baptist-anton-vallade-preambulum\/\">here<\/a><\/p>\n<p>The recording was done on the new sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=9\">Prospectum<\/a>. The registration is a bit too large for the prelude, but the fugue lives up to it quite well.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2015\/12\/Vallade-Preambulum-und-Fuga-IV.pdf\"data-kccpid=\"1371\">Vallade, Preambulum und Fuga IV<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\nVallade, Preambulum und Fuga IV<br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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For a short biography of Vallade and the first prelude see here The recording was done on the new sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. The registration is a bit too large for the prelude, but the fugue lives up to it quite well. Score Vallade, Preambulum und Fuga IV Performance Vallade, Preambulum und Fuga IV Views: 3<\/p>\n","protected":false},"author":1,"featured_media":10014,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,41],"tags":[],"class_list":["post-1371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-vallade-johann-baptist-anton"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/12\/Vallade_Preambulum_IV_preview.png?fit=747%2C492&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-m7","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1371"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1371\/revisions"}],"predecessor-version":[{"id":9235,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1371\/revisions\/9235"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/10014"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}