{"id":1575,"date":"2016-02-03T21:40:30","date_gmt":"2016-02-03T19:40:30","guid":{"rendered":"http:\/\/partitura.org\/?p=1575"},"modified":"2018-06-15T19:12:57","modified_gmt":"2018-06-15T17:12:57","slug":"simon-lohet-octava-fuga","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/simon-lohet-octava-fuga\/","title":{"rendered":"Simon Lohet, Octava Fuga"},"content":{"rendered":"<p>Another dance-like fugue of Lohet. Apart from some unusual (to our &#8216;modern&#8217; ears) harmonic progressions, this piece could have been written a 100 years later than it actually was.<\/p>\n<p>The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/02\/Lohet-Octava-Fuga.pdf\" data-kccpid=\"1575\">Lohet, Octava Fuga<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; 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max-height:150px;\"><div class=\"wrapper-mjp\"><div class=\"playlist-colour\"><\/div><div class=\"wrapper-mjp\"><ul class=\"ul-mjp childNorm-mjp childPlain-mjp left-mjp\" id=\"UL_mp3j_0\"><li><\/li><\/ul><\/div><\/div><\/div>\n\t <\/div>\n\t <div id=\"mp3j_finfo_0\" class=\"mp3j-finfo\" style=\"display:none;\"><div class=\"mp3j-finfo-sleeve\"><div id=\"mp3j_finfo_gif_0\" class=\"mp3j-finfo-gif\"><\/div><div id=\"mp3j_finfo_txt_0\" class=\"mp3j-finfo-txt\"><\/div><div class=\"mp3j-finfo-close\" id=\"mp3j_finfo_close_0\">X<\/div><\/div><\/div><div id=\"mp3j_dlf_0\" class=\"mp3j-dlframe\" style=\"display:none;\"><\/div>\n\t <div class=\"mp3j-nosolution\" id=\"mp3j_nosolution_0\" style=\"display:none;\"><\/div>\n\t <div style=\"display:none;\" class=\"Ebelow-mjp\" id=\"Ebelow-mjp_0\"><\/div>\n <\/div> \n<script>\nMP3jPLAYLISTS.MI_0 = [\n\t{ name: \"Lohet-Octava-Fuga\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9wYXJ0aXR1cmEub3JnL3dwLWNvbnRlbnQvdXBsb2Fkcy8yMDE2LzAyL0xvaGV0LU9jdGF2YS1GdWdhLm1wMw==\", counterpart:\"\", artist: \"\", image: \"true\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[0] = { list:MP3jPLAYLISTS.MI_0, tr:0, type:'MI', lstate:false, loop:false, play_txt:'Play', pause_txt:'Pause', pp_title:'Partitura Organum', autoplay:false, download:true, vol:100, height:24, cssclass:'nostop flip notitle ', popout_css:{ enabled:true, \t\t\tcolours: [\"#f0f0f0\", \"transparent\", \"rgba(167, 167, 167, 0.55)\", \"rgba(49, 49, 49, 0.64)\", \"rgba(17, 115, 38, 0.77)\", \"#d3d3d3\", \"#d8d8d8\", \"inherit\", \"#262120\", \"#262120\", \"#11912b\", \"\/\", 400, 600 ],\n\t\t\tcssInterface: { \"color\": \"inherit\" },\n\t\t\tcssTitle: { \"left\": \"20px\", \"right\":\"20px\", \"top\":\"1px\" },\n\t\t\tcssImage: { \"overflow\": \"hidden\", \"width\":\"100%\", \"height\":\"24px\"  },\n\t\t\tcssFontSize: { \"title\": \"16px\", \"caption\": \"11.2px\", \"list\": \"11px\" },\n\t\t\tclasses: { interface:'', title:' right-mjp bold-mjp plain-mjp childNorm-mjp childItalic-mjp titleHide-mjp', image:' left-mjp', poscol:' soften-mjp', ul:' childNorm-mjp childPlain-mjp left-mjp' }} };<\/script>\n\n<\/p>\n<p>Views: 6<\/p>","protected":false},"excerpt":{"rendered":"<p>Another dance-like fugue of Lohet. Apart from some unusual (to our &#8216;modern&#8217; ears) harmonic progressions, this piece could have been written a 100 years later than it actually was. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Lohet, Octava Fuga MP3: Views: 6<\/p>\n","protected":false},"author":1,"featured_media":1578,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[44,7],"tags":[],"class_list":["post-1575","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lohet-simon","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/02\/Lohet_Octava_Fuga_preview.png?fit=831%2C620&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-pp","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1575"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1575\/revisions"}],"predecessor-version":[{"id":6197,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1575\/revisions\/6197"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1578"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1575"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1575"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}