{"id":1635,"date":"2016-03-05T12:27:28","date_gmt":"2016-03-05T10:27:28","guid":{"rendered":"http:\/\/partitura.org\/?p=1635"},"modified":"2018-06-15T19:06:04","modified_gmt":"2018-06-15T17:06:04","slug":"johann-schneider-vater-unser-im-himmelreich-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-schneider-vater-unser-im-himmelreich-2\/","title":{"rendered":"Johann Schneider, Vater unser im Himmelreich (2)"},"content":{"rendered":"<p>The second choral prelude by Johann Schneider on the choral &#8220;Vater unser im Himmelreich&#8221; was written pro organo pleno. It has the choral melody in the pedal in long solemn notes. In good baroque tradition each phrase of the melody in the bass line is introduced by itself in the three others voices. And to show that Schneider knew his counter point, these introductory episodes use the usual tricks like diminution, stretto and inversion of the phrase to be presented in the bass voice.<br \/>\nLike I said before: we have much to regret that not more of his works survive. <\/p>\n<p>The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&#038;id1=2&#038;id2=9\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/03\/Schneider-Vater-unser-im-Himmelreich.pdf\"rel=\"\"data-kccpid=\"1635\">Schneider, Vater unser im Himmelreich<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; height:24px; overflow:hidden;\"><\/div>\n\t\t\t\t <div id=\"T_mp3j_0\" class=\"player-track-title right-mjp bold-mjp plain-mjp childNorm-mjp childItalic-mjp titleHide-mjp\" style=\"left:20px; right:20px;  top:1px;\"><\/div>\n\t\t\t\t <div class=\"bars_holder\">\n\t\t\t\t\t <div class=\"loadMI_mp3j\" id=\"load_mp3j_0\"><\/div>\n\t\t\t\t\t <div class=\"poscolMI_mp3j soften-mjp\" id=\"poscol_mp3j_0\"><\/div>\n\t\t\t\t\t <div class=\"posbarMI_mp3j\" id=\"posbar_mp3j_0\"><\/div>\n\t\t\t\t <\/div>\n\t\t\t\t <div id=\"P-Time-MI_0\" class=\"jp-play-time\"><\/div>\n\t\t\t\t <div id=\"T-Time-MI_0\" class=\"jp-total-time\"><\/div>\n\t\t\t\t <div id=\"statusMI_0\" class=\"statusMI\"><\/div>\n\t\t\t\t <div class=\"transport-MI\"><div class=\"play-mjp\" id=\"playpause_mp3j_0\">Play<\/div><div class=\"stop-mjp\" id=\"stop_mp3j_0\">Stop<\/div><\/div>\n\t\t\t\t <div class=\"buttons-wrap-mjp\" id=\"buttons-wrap-mjp_0\">\n\t\t\t\t\t \n\t\t\t\t\t <div class=\"mp3j-popout-MI\" id=\"lpp_mp3j_0\" style=\"\"><\/div>\n\t\t\t\t\t <div id=\"download_mp3j_0\" class=\"dloadmp3-MI\"><\/div>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\t\t <div class=\"mjp-volwrap\">\n\t\t\t\t <div class=\"MIsliderVolume\" id=\"vol_mp3j_0\"><\/div>\n\t\t\t\t <div class=\"innerExt1\" id=\"innerExt1_0\"><\/div>\n\t\t\t\t <div class=\"innerExt2\" id=\"innerExt2_0\"><\/div>\n\t\t\t <\/div>\n\t\t <\/div>\n\t\t <div style=\"display:none;\" class=\"Ebetween-mjp\" id=\"Ebetween-mjp_0\"><\/div>\n\t\t <div class=\"listwrap_mp3j\" id=\"L_mp3j_0\" style=\"overflow:auto; max-height:150px;\"><div class=\"wrapper-mjp\"><div class=\"playlist-colour\"><\/div><div class=\"wrapper-mjp\"><ul class=\"ul-mjp childNorm-mjp childPlain-mjp left-mjp\" id=\"UL_mp3j_0\"><li><\/li><\/ul><\/div><\/div><\/div>\n\t <\/div>\n\t <div id=\"mp3j_finfo_0\" class=\"mp3j-finfo\" style=\"display:none;\"><div class=\"mp3j-finfo-sleeve\"><div id=\"mp3j_finfo_gif_0\" class=\"mp3j-finfo-gif\"><\/div><div id=\"mp3j_finfo_txt_0\" class=\"mp3j-finfo-txt\"><\/div><div class=\"mp3j-finfo-close\" id=\"mp3j_finfo_close_0\">X<\/div><\/div><\/div><div id=\"mp3j_dlf_0\" class=\"mp3j-dlframe\" style=\"display:none;\"><\/div>\n\t <div class=\"mp3j-nosolution\" id=\"mp3j_nosolution_0\" style=\"display:none;\"><\/div>\n\t <div style=\"display:none;\" class=\"Ebelow-mjp\" id=\"Ebelow-mjp_0\"><\/div>\n <\/div> \n<script>\nMP3jPLAYLISTS.MI_0 = [\n\t{ name: \"Schneider-Vater-unser-im-Himmelreich\", formats: [\"mp3\"], mp3: \"aHR0cHM6Ly9wYXJ0aXR1cmEub3JnL3dwLWNvbnRlbnQvdXBsb2Fkcy8yMDE2LzAzL1NjaG5laWRlci1WYXRlci11bnNlci1pbS1IaW1tZWxyZWljaC5tcDM=\", counterpart:\"\", artist: \"\", image: \"true\", imgurl: \"\" }\n];\n<\/script>\n\n<script>MP3jPLAYERS[0] = { list:MP3jPLAYLISTS.MI_0, tr:0, type:'MI', lstate:false, loop:false, play_txt:'Play', pause_txt:'Pause', pp_title:'Partitura Organum', autoplay:false, download:true, vol:100, height:24, cssclass:'nostop flip notitle ', popout_css:{ enabled:true, \t\t\tcolours: [\"#f0f0f0\", \"transparent\", \"rgba(167, 167, 167, 0.55)\", \"rgba(49, 49, 49, 0.64)\", \"rgba(17, 115, 38, 0.77)\", \"#d3d3d3\", \"#d8d8d8\", \"inherit\", \"#262120\", \"#262120\", \"#11912b\", \"\/\", 400, 600 ],\n\t\t\tcssInterface: { \"color\": \"inherit\" },\n\t\t\tcssTitle: { \"left\": \"20px\", \"right\":\"20px\", \"top\":\"1px\" },\n\t\t\tcssImage: { \"overflow\": \"hidden\", \"width\":\"100%\", \"height\":\"24px\"  },\n\t\t\tcssFontSize: { \"title\": \"16px\", \"caption\": \"11.2px\", \"list\": \"11px\" },\n\t\t\tclasses: { interface:'', title:' right-mjp bold-mjp plain-mjp childNorm-mjp childItalic-mjp titleHide-mjp', image:' left-mjp', poscol:' soften-mjp', ul:' childNorm-mjp childPlain-mjp left-mjp' }} };<\/script>\n\n<\/p>\n<p>Views: 33<\/p>","protected":false},"excerpt":{"rendered":"<p>The second choral prelude by Johann Schneider on the choral &#8220;Vater unser im Himmelreich&#8221; was written pro organo pleno. It has the choral melody in the pedal in long solemn notes. In good baroque tradition each phrase of the melody in the bass line is introduced by itself in the three others voices. And to show that Schneider knew his counter point, these introductory episodes use the usual tricks like diminution, stretto and inversion of the phrase to be presented in the bass voice. Like I said before: we have much to regret that not more of his works survive. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Schneider, Vater unser im Himmelreich MP3: Views: 33<\/p>\n","protected":false},"author":1,"featured_media":1639,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[46,7],"tags":[],"class_list":["post-1635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-schneider-johann","category-scores","genre-choral-prelude","genre-vater-unser-im-himmelreich"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/03\/Schneider_Vater_unser_im_Himmelreich_2_preview.png?fit=841%2C573&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-qn","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1635"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1635\/revisions"}],"predecessor-version":[{"id":6192,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1635\/revisions\/6192"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1639"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}