{"id":1682,"date":"2016-03-11T21:53:50","date_gmt":"2016-03-11T19:53:50","guid":{"rendered":"http:\/\/partitura.org\/?p=1682"},"modified":"2022-03-27T13:53:44","modified_gmt":"2022-03-27T11:53:44","slug":"lohet-undecima-fuga","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/lohet-undecima-fuga\/","title":{"rendered":"Simon Lohet, Undecima Fuga"},"content":{"rendered":"<p>Playing the eleventh fugue of Lohet one wonders wether Bach knew the fugues of Lohet. The theme of the fugue BWV 878 is the same as the theme of Undecima Fuga. And Bach uses some of the same stretto constructions Lohet used in his fugue. Of course, Lohet&#8217;s fugue is not nearly as elaborate as BWV 878, yet I think we can only admire the man who wrote this somewhere before 1600.<\/p>\n<p>The recording was done with the sampleset, made by Organ Art Media, of the <a href=\"http:\/\/www.organartmedia.com\/arp-schnitger\">Arp Schnitger organ in Steinkirchen<\/a>. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/03\/Lohet-Undecima-Fuga.pdf\" data-kccpid=\"1682\">Lohet, Undecima Fuga<\/a><\/p>\n<p><strong>MP3<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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The theme of the fugue BWV 878 is the same as the theme of Undecima Fuga. And Bach uses some of the same stretto constructions Lohet used in his fugue. Of course, Lohet&#8217;s fugue is not nearly as elaborate as BWV 878, yet I think we can only admire the man who wrote this somewhere before 1600. The recording was done with the sampleset, made by Organ Art Media, of the Arp Schnitger organ in Steinkirchen. Score Lohet, Undecima Fuga MP3 Views: 4<\/p>\n","protected":false},"author":1,"featured_media":1686,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[44,7],"tags":[],"class_list":["post-1682","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lohet-simon","category-scores","genre-fuga"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/03\/Lohet_Fuga_Undecima_preview.png?fit=860%2C571&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-r8","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1682","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1682"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1682\/revisions"}],"predecessor-version":[{"id":10251,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1682\/revisions\/10251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1686"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1682"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1682"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1682"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}