{"id":1724,"date":"2016-04-15T21:01:53","date_gmt":"2016-04-15T19:01:53","guid":{"rendered":"http:\/\/partitura.org\/?p=1724"},"modified":"2018-06-15T17:40:46","modified_gmt":"2018-06-15T15:40:46","slug":"johann-philipp-kirnberger-gelobet-seist-du-jesu-christ","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-philipp-kirnberger-gelobet-seist-du-jesu-christ\/","title":{"rendered":"Johann Philipp Kirnberger, Gelobet seist du Jesu Christ"},"content":{"rendered":"<p>The first chorale prelude in manuscript Am. B 396, owned by the Staatsbibliothek in Berlin, is a three part manualiter prelude on the melody of &#8220;Gelobet seist du Jesu Christ&#8221;. Even though it&#8217;s meant as manualiter, the voices are in places quite far apart. Since I have relatively small hands I had to use the pedals for an isolated note here and there.<\/p>\n<p>The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/03\/Kirnberger-Gelobet-seist-du-Jesu-Christ.pdf\" rel=\"\"data-kccpid=\"1724\">Kirnberger, Gelobet seist du Jesu Christ<\/a><\/p>\n<p><strong>MP3:<\/strong><\/p>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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B 396, owned by the Staatsbibliothek in Berlin, is a three part manualiter prelude on the melody of &#8220;Gelobet seist du Jesu Christ&#8221;. Even though it&#8217;s meant as manualiter, the voices are in places quite far apart. Since I have relatively small hands I had to use the pedals for an isolated note here and there. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Kirnberger, Gelobet seist du Jesu Christ MP3: Views: 20<\/p>\n","protected":false},"author":1,"featured_media":1747,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28,7],"tags":[],"class_list":["post-1724","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kirnberger-johann-philipp","category-scores","genre-choral-prelude","genre-gelobet-seist-du-jesu-christ"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/03\/Kirnberger_Gelobet_seist_du_preview.png?fit=869%2C653&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-rO","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1724"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1724\/revisions"}],"predecessor-version":[{"id":6164,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1724\/revisions\/6164"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1747"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}