{"id":1727,"date":"2016-05-26T21:18:06","date_gmt":"2016-05-26T19:18:06","guid":{"rendered":"http:\/\/partitura.org\/?p=1727"},"modified":"2018-06-15T08:08:53","modified_gmt":"2018-06-15T06:08:53","slug":"johann-philipp-kirnberger-gott-thut-dass-ist-wohl-gethan","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-philipp-kirnberger-gott-thut-dass-ist-wohl-gethan\/","title":{"rendered":"Johann Philipp Kirnberger, Was Gott thut dass ist wohl gethan"},"content":{"rendered":"<p>The chorale prelude on &#8220;Was Gott thut dass ist wohl getan&#8221; is a manualiter piece. But again the voices are in places quite far apart. For me it&#8217;s impossible to play this piece with just the hands. Luckily I can use my feet as well&#8230;<\/p>\n<p>The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=9\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/03\/Kirnberger-Was-Gott-tut-dass-ist-wohl-getan.pdf\" rel=\"\"data-kccpid=\"1727\">Kirnberger, Was Gott tut dass ist wohl getan<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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is a manualiter piece. But again the voices are in places quite far apart. For me it&#8217;s impossible to play this piece with just the hands. Luckily I can use my feet as well&#8230; The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Kirnberger, Was Gott tut dass ist wohl getan MP3: Views: 21<\/p>\n","protected":false},"author":1,"featured_media":1753,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[28,7],"tags":[],"class_list":["post-1727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kirnberger-johann-philipp","category-scores","genre-choral-prelude","genre-was-gott-thut-dass-ist-wohl-gethan"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/03\/Kirnberger_Was_Gott_tut_preview.png?fit=857%2C639&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-rR","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1727"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1727\/revisions"}],"predecessor-version":[{"id":6144,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1727\/revisions\/6144"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1753"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}