{"id":1769,"date":"2016-03-13T10:50:02","date_gmt":"2016-03-13T08:50:02","guid":{"rendered":"http:\/\/partitura.org\/?p=1769"},"modified":"2018-06-15T18:56:49","modified_gmt":"2018-06-15T16:56:49","slug":"johann-balthasar-kehl-straff-mich-nicht-deinen-zorn","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-balthasar-kehl-straff-mich-nicht-deinen-zorn\/","title":{"rendered":"Johann Balthasar Kehl, Straff mich nicht in deinen Zorn"},"content":{"rendered":"<p>The chorale preludes of Kehl follow mostly the same basic pattern: a short introduction, the melody in the right hand addorned with grace notes, and a repetition of the introduction. The prelude on &#8220;Straff mich nicht in deinen Zorn&#8221; follows this pattern, with just a slight variation in the concluding repetition of the introduction. It is therefore a typical example of the choral work of Kehl.<\/p>\n<p>The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=9\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/03\/Kehl-Straff-mich-nicht-in-deinem-Zorn.pdf\"rel=\"\"data-kccpid=\"1769\">Kehl, Straff mich nicht in deinem Zorn<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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The prelude on &#8220;Straff mich nicht in deinen Zorn&#8221; follows this pattern, with just a slight variation in the concluding repetition of the introduction. It is therefore a typical example of the choral work of Kehl. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Kehl, Straff mich nicht in deinem Zorn MP3: Views: 12<\/p>\n","protected":false},"author":1,"featured_media":1766,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[38,7],"tags":[],"class_list":["post-1769","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kehl-johann-balthasar","category-scores","genre-choral-prelude","genre-straf-mich-nicht-in-deinen-zorn"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/03\/Kehl_Straff_mich_nicht_preview.jpg?fit=863%2C689&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-sx","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1769","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=1769"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1769\/revisions"}],"predecessor-version":[{"id":6187,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/1769\/revisions\/6187"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/1766"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=1769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=1769"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=1769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}