{"id":2097,"date":"2016-05-09T21:41:07","date_gmt":"2016-05-09T19:41:07","guid":{"rendered":"http:\/\/partitura.org\/?p=2097"},"modified":"2018-06-15T08:15:00","modified_gmt":"2018-06-15T06:15:00","slug":"johann-adam-hiller-jesu-du-mein-liebstes-leben","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-adam-hiller-jesu-du-mein-liebstes-leben\/","title":{"rendered":"Johann Adam Hiller (?), Jesu du mein liebstes Leben"},"content":{"rendered":"<p>The prelude on &#8216;Jesu du mein liebstes Leben&#8217; is transcribed from &#8220;The W\u00f6chentliche Nachrichten und Anmerkungen die Musik betreffend\u201d. This journal appeared weekly in Leipzig from 1 July 1766 to 24 December 1770. Most of the eight page issues contained one or two main articles, usually published in installments, followed by short reviews and a piece of music. Johann Adam Hiller (1728 \u2013 1804) was the editor, initiator and almost sole contributor to the WNA.<br \/>\nI have already posted four pieces from the WNA. These pieces go without a named composer in the journal. I suspect they are from Hiller himself, but this is only a supposition, there is no proof of it. The piece posted today is a beautiful bicinium.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>BW: Quintadeen 8&#8242;, Baarpijp 8&#8242;, Dolceaan 8&#8242; (RH)<br \/>\nHW: Bourdon 16&#8242; (LH, played one octave higher)<br \/>\nRW: Holpijp 8&#8242;<br \/>\nHw+Rw<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/05\/Hiller-Jesu-du-mein-liebstes-Leben.pdf\" rel=\"\"data-kccpid=\"2097\">Hiller, Jesu du mein liebstes Leben<\/a><\/p>\n<p><strong>MP3:<\/strong><\/p>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; 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is transcribed from &#8220;The W\u00f6chentliche Nachrichten und Anmerkungen die Musik betreffend\u201d. This journal appeared weekly in Leipzig from 1 July 1766 to 24 December 1770. Most of the eight page issues contained one or two main articles, usually published in installments, followed by short reviews and a piece of music. Johann Adam Hiller (1728 \u2013 1804) was the editor, initiator and almost sole contributor to the WNA. I have already posted four pieces from the WNA. These pieces go without a named composer in the journal. I suspect they are from Hiller himself, but this is only a supposition, there is no proof of it. The piece posted today is a beautiful bicinium. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. BW: Quintadeen 8&#8242;, Baarpijp 8&#8242;, Dolceaan 8&#8242; (RH) HW: Bourdon 16&#8242; (LH, played one octave higher) RW: Holpijp 8&#8242; Hw+Rw Score Hiller, Jesu du mein liebstes Leben MP3: Views: 8<\/p>\n","protected":false},"author":1,"featured_media":2095,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[51,7],"tags":[],"class_list":["post-2097","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hiller-johann-adam","category-scores","genre-choral-prelude","genre-jesu-du-mein-liebstes-leben"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/05\/Hiller_Jesu_du_mein_liebstes_Leben_preview.jpg?fit=770%2C462&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-xP","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2097"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2097\/revisions"}],"predecessor-version":[{"id":6153,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2097\/revisions\/6153"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2095"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}