{"id":2251,"date":"2016-06-15T21:00:13","date_gmt":"2016-06-15T19:00:13","guid":{"rendered":"http:\/\/partitura.org\/?p=2251"},"modified":"2018-06-15T08:06:56","modified_gmt":"2018-06-15T06:06:56","slug":"anonymus-wo-gott-zum-haus-nicht-gibt-sein-gunst","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/anonymus-wo-gott-zum-haus-nicht-gibt-sein-gunst\/","title":{"rendered":"Anonymus, Wo Gott zum Haus nicht gibt sein G\u00fcnst"},"content":{"rendered":"<p>The sixth piece of the second fascicle of manuscript Mus. Ms 30439 is again of unknown origin. But in form it is very similar to &#8220;Herr, durch deinen heiligen Leichnam&#8221;,  from the same manuscript, I uploaded <a href=\"https:\/\/partitura.org\/index.php\/anonymus-herr-durch-deinen-heiligen-leichnam\/\">earlier<\/a>. And that is in turn very similar to two pieces in Pachelbel&#8217;s oeuvre: &#8220;Herr Christ, der einig Gottes Sohn&#8221; (which is, incidentally part of this manuscript as wel) and &#8220;Vater unser in Himmelreich&#8221;. <\/p>\n<p>Hence the hypothesis: the works in this fascicle of the manuscript are by Johann Pachelbel or by Johann Michael Bach. And based on the similarities with other works, the choral prelude of today could well be from Pachelbel.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p>Registration:<br \/>\nBW: Praestant 8&#8242;, Quintadena 8&#8242;, Octaaf 4&#8242;, Nasard 3&#8242;, Nachthoorn 2&#8242;, Sesquialter II<br \/>\nPed: Holpijp 8, Trompet 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/06\/06-Anon-Wo-Gott-zum-Haus-nicht-gibt-sein-Gunst-Mus-ms-30439.pdf\"rel=\"\"data-kccpid=\"2251\">Anonymus, Wo Gott zum Haus nicht gibt sein Gunst<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; 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Ms 30439 is again of unknown origin. But in form it is very similar to &#8220;Herr, durch deinen heiligen Leichnam&#8221;, from the same manuscript, I uploaded earlier. And that is in turn very similar to two pieces in Pachelbel&#8217;s oeuvre: &#8220;Herr Christ, der einig Gottes Sohn&#8221; (which is, incidentally part of this manuscript as wel) and &#8220;Vater unser in Himmelreich&#8221;. Hence the hypothesis: the works in this fascicle of the manuscript are by Johann Pachelbel or by Johann Michael Bach. And based on the similarities with other works, the choral prelude of today could well be from Pachelbel. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Praestant 8&#8242;, Quintadena 8&#8242;, Octaaf 4&#8242;, Nasard 3&#8242;, Nachthoorn 2&#8242;, Sesquialter II Ped: Holpijp 8, Trompet 8&#8242; Score Anonymus, Wo Gott zum Haus nicht gibt sein Gunst MP3: Views: 10<\/p>\n","protected":false},"author":1,"featured_media":2250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[56,7],"tags":[],"class_list":["post-2251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-anonymus","category-scores","genre-choral-prelude","genre-wo-gott-zum-haus-nicht-gibt-sein-gunst"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/06\/MusMs30439_06_preview.png?fit=833%2C503&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Aj","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2251"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2251\/revisions"}],"predecessor-version":[{"id":6141,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2251\/revisions\/6141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2250"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}