{"id":2470,"date":"2016-09-09T16:41:02","date_gmt":"2016-09-09T14:41:02","guid":{"rendered":"http:\/\/partitura.org\/?p=2470"},"modified":"2024-11-07T21:09:50","modified_gmt":"2024-11-07T19:09:50","slug":"johann-schneider-praludium-und-fuge-g-moll","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-schneider-praludium-und-fuge-g-moll\/","title":{"rendered":"Johann Schneider, Pr\u00e4ludium und Fuge, g moll"},"content":{"rendered":"<p>Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude &#038; Fugues by Johann Schneider. In the manuscript they are called just &#8216;Praeludium&#8217;, but since the fugue-part of the pieces is very prominent, I decided to include it in the title. The Pr\u00e4ludium in g moll is the third one. The fugus has a somewhat unorthodox structure, in that the fugue starts with subject and countersubject at the same time.   <\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk. <\/p>\n<p>Prelude<br \/>\nManuaal: Quintadeen 16&#8242;, Prestant 8&#8242;, Octaaf 4&#8242;, Quintfluit 3&#8242;, Octaaf 2&#8242;, Mixtuur,  Trompet 8&#8242; bas<br \/>\nPedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Octaaf 4&#8242;, Bazuin 16&#8242;, Trompet 8&#8242;<br \/>\nPed+Man<\/p>\n<p>Fugue<br \/>\nHW: -Quintadeen 16&#8242;, -Trompet 8&#8242; bas<br \/>\nPed: -Bazuin 16&#8242;<br \/>\n-Ped+Man<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/09\/Schneider-Prelude-g-moll.pdf\">Schneider, Pr\u00e4ludium g moll<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YE9xXC7W2s8\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 297<\/p>","protected":false},"excerpt":{"rendered":"<p>Manuscript Mus. Ms. 30377, owned by the Staatsbibliothek Berlin, contains four Prelude &#038; Fugues by Johann Schneider. In the manuscript they are called just &#8216;Praeludium&#8217;, but since the fugue-part of the pieces is very prominent, I decided to include it in the title. The Pr\u00e4ludium in g moll is the third one. The fugus has a somewhat unorthodox structure, in that the fugue starts with subject and countersubject at the same time. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Prelude Manuaal: Quintadeen 16&#8242;, Prestant 8&#8242;, Octaaf 4&#8242;, Quintfluit 3&#8242;, Octaaf 2&#8242;, Mixtuur, Trompet 8&#8242; bas Pedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Octaaf 4&#8242;, Bazuin 16&#8242;, Trompet 8&#8242; Ped+Man Fugue HW: -Quintadeen 16&#8242;, -Trompet 8&#8242; bas Ped: -Bazuin 16&#8242; -Ped+Man Score Schneider, Pr\u00e4ludium g moll Performance Views: 297<\/p>\n","protected":false},"author":1,"featured_media":2475,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[46,7],"tags":[],"class_list":["post-2470","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-schneider-johann","category-scores","genre-fuga","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/09\/Schneider_Prel_g_moll.png?fit=775%2C488&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-DQ","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2470"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2470\/revisions"}],"predecessor-version":[{"id":11272,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2470\/revisions\/11272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2475"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}