{"id":2489,"date":"2016-09-12T22:29:38","date_gmt":"2016-09-12T20:29:38","guid":{"rendered":"http:\/\/partitura.org\/?p=2489"},"modified":"2021-02-28T18:10:27","modified_gmt":"2021-02-28T16:10:27","slug":"johann-bernhard-bach-vom-himmel-hoch-da-komm-ich","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-bernhard-bach-vom-himmel-hoch-da-komm-ich\/","title":{"rendered":"Johann Bernhard Bach, Vom Himmel hoch da komm ich her"},"content":{"rendered":"<p>Johann Bernhard Bach (1676 &#8211; 1749) was second cousin to Johann Sebastian Bach. Not much of his works survive, but the few works that did survive are of high quality. The prelude on &#8220;Vom Himmel hoch da komm ich her&#8221; is a wonderful trio, with the choral melody in long solemn notes, accompanied by a lively almost frivolous soprano voice. <\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk. <\/p>\n<p>Manuaal: Prestant 8&#8242;, Octaaf 2&#8242; (RH)<br \/>\nRugwerk: Holpijp 8&#8242;, Kromhoorn 8&#8242; (LH)<br \/>\nPedaal: Subbas 16&#8242;, Gedekt 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/09\/Bach-Vom-Himmel-hoch-da-komm-ich-her.pdf\"data-kccpid=\"2489\">Bach, Vom Himmel hoch da komm ich her<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/nxaycpwOTbQ\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 59<\/p>","protected":false},"excerpt":{"rendered":"<p>Johann Bernhard Bach (1676 &#8211; 1749) was second cousin to Johann Sebastian Bach. Not much of his works survive, but the few works that did survive are of high quality. The prelude on &#8220;Vom Himmel hoch da komm ich her&#8221; is a wonderful trio, with the choral melody in long solemn notes, accompanied by a lively almost frivolous soprano voice. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Manuaal: Prestant 8&#8242;, Octaaf 2&#8242; (RH) Rugwerk: Holpijp 8&#8242;, Kromhoorn 8&#8242; (LH) Pedaal: Subbas 16&#8242;, Gedekt 8&#8242; Score Bach, Vom Himmel hoch da komm ich her Performance Views: 59<\/p>\n","protected":false},"author":1,"featured_media":2493,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[14,7],"tags":[],"class_list":["post-2489","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bach-johann-bernhard","category-scores","genre-choral-prelude","genre-vom-himmel-hoch-da-komm-ich-her"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/09\/Bach_Vom_Himmel_hoch_preview.png?fit=768%2C453&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-E9","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2489"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2489\/revisions"}],"predecessor-version":[{"id":9563,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2489\/revisions\/9563"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2493"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}