{"id":2596,"date":"2016-10-01T21:46:06","date_gmt":"2016-10-01T19:46:06","guid":{"rendered":"http:\/\/partitura.org\/?p=2596"},"modified":"2021-02-28T18:07:10","modified_gmt":"2021-02-28T16:07:10","slug":"johann-balthasar-kehl-vom-himmel-hoch-da-komm-ich","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-balthasar-kehl-vom-himmel-hoch-da-komm-ich\/","title":{"rendered":"Johann Balthasar Kehl, Vom Himmel hoch da komm ich her"},"content":{"rendered":"<p>I have neglected Kehl somewhat these last months. And there quite a few pieces of him left to publish. So it&#8217;s about time to post a new piece by Kehl. The piece presented here today is a festive prelude on &#8220;Vom Himmel hoch da komm ich her&#8221;. With Christmas coming in a few months, perhaps this piece is of use to someone, preparing survice for those festive days.<br \/>\nAs is usual with Kehl this piece start with a somewhat unrelated intro. The intro sets the mood, but does not employ a motive from the chorale melody. The melody is presented against a fast moving accompaniment. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>I did not notate the exact registration. But it consisted of a relatively small plenum on the Rugwerk for the introduction and the accompaniment, and a larger plenum on the Hoofdwerrk for the choral melody. <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/10\/Kehl-Vom-Himmel-hoch-da-komm-ich-her.pdf\"data-kccpid=\"2596\">Kehl, Vom Himmel hoch da komm ich her<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/g6cnMjQUeNo\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 18<\/p>","protected":false},"excerpt":{"rendered":"<p>I have neglected Kehl somewhat these last months. And there quite a few pieces of him left to publish. So it&#8217;s about time to post a new piece by Kehl. The piece presented here today is a festive prelude on &#8220;Vom Himmel hoch da komm ich her&#8221;. With Christmas coming in a few months, perhaps this piece is of use to someone, preparing survice for those festive days. As is usual with Kehl this piece start with a somewhat unrelated intro. The intro sets the mood, but does not employ a motive from the chorale melody. The melody is presented against a fast moving accompaniment. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. I did not notate the exact registration. But it consisted of a relatively small plenum on the Rugwerk for the introduction and the accompaniment, and a larger plenum on the Hoofdwerrk for the choral melody. Score Kehl, Vom Himmel hoch da komm ich her Performance Views: 18<\/p>\n","protected":false},"author":1,"featured_media":2598,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[38,7],"tags":[],"class_list":["post-2596","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kehl-johann-balthasar","category-scores","genre-choral-prelude","genre-vom-himmel-hoch-da-komm-ich-her"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/10\/Kehl_Vom_himmel_hoch_preview.jpg?fit=772%2C465&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-FS","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2596","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2596"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2596\/revisions"}],"predecessor-version":[{"id":9560,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2596\/revisions\/9560"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2598"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2596"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2596"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}