{"id":2680,"date":"2016-10-12T09:38:55","date_gmt":"2016-10-12T07:38:55","guid":{"rendered":"http:\/\/partitura.org\/?p=2680"},"modified":"2021-02-28T18:03:47","modified_gmt":"2021-02-28T16:03:47","slug":"johann-heuschkell-vom-himmel-hoch-da-komm-ich-vers-1","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-heuschkell-vom-himmel-hoch-da-komm-ich-vers-1\/","title":{"rendered":"Johann Heuschkel, Vom Himmel hoch da komm ich her, Vers 1"},"content":{"rendered":"<p>To the few remaining organ works of Johann Heuschkel belong two preludes to the choral &#8220;Vom Himmel hoch da komm ich her&#8221;. They are not as elaborate as the prelude I uploaded <a href=\"https:\/\/partitura.org\/index.php\/johann-heuschkel-lobt-gott-ihr-christen-zugleich\/\">a few days ago<\/a>. Yet they are very pleasant works.<br \/>\nThe first has a three part texture. Parts of the chorale melody appear in all three voices in both tonic and dominant. Almost like it is a fugue.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p>Registration<br \/>\nRugwerk: Holpijp 8&#8242;, Prestant 4&#8242;,  Quint 3&#8242;, Octaaf 2&#8242;, Quintfluit 1 1\/2&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/10\/Heusschkel-Vom-Himmel-hoch-da-komm-ich-her-1.pdf\" data-kccpid=\"2680\">Heuschkel, Vom Himmel hoch da komm ich her, Vers 1<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/o8Rr04o2cX4\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 14<\/p>","protected":false},"excerpt":{"rendered":"<p>To the few remaining organ works of Johann Heuschkel belong two preludes to the choral &#8220;Vom Himmel hoch da komm ich her&#8221;. They are not as elaborate as the prelude I uploaded a few days ago. Yet they are very pleasant works. The first has a three part texture. Parts of the chorale melody appear in all three voices in both tonic and dominant. Almost like it is a fugue. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration Rugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Quint 3&#8242;, Octaaf 2&#8242;, Quintfluit 1 1\/2&#8242; Score Heuschkel, Vom Himmel hoch da komm ich her, Vers 1 Performance Views: 14<\/p>\n","protected":false},"author":1,"featured_media":2678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[62,7],"tags":[],"class_list":["post-2680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-heuschkel-johann","category-scores","genre-choral-prelude","genre-vom-himmel-hoch-da-komm-ich-her"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/10\/Heuschkell_Vom_Himmel_1_preview.jpg?fit=776%2C393&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-He","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2680"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2680\/revisions"}],"predecessor-version":[{"id":9555,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2680\/revisions\/9555"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2678"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}