{"id":2757,"date":"2016-11-02T20:57:03","date_gmt":"2016-11-02T18:57:03","guid":{"rendered":"http:\/\/partitura.org\/?p=2757"},"modified":"2021-02-28T17:44:22","modified_gmt":"2021-02-28T15:44:22","slug":"johann-caspar-ferdinand-fischer-der-tag-der-ist-freudenreich","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-caspar-ferdinand-fischer-der-tag-der-ist-freudenreich\/","title":{"rendered":"Johann Caspar Ferdinand Fischer, Der Tag der ist so Freudenreich"},"content":{"rendered":"<p>This choral prelude is also known as &#8220;Ricercar pro Festis Natalytis&#8221;. Carl Philipp Emanuel Bach wrote that his father considered Fischer to be one of the greatest composers of his time. This ricercar can help to understand why. It is a very cleverly constructed fugue on the first line of &#8220;Der Tag der ist so freudenreich&#8221;.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p>Registration<br \/>\nManuaal: Prestant 8&#8242;, Octaaf 4&#8242;, Octaaf 2&#8242;, Trompet 8&#8242; bas, Trompet 8&#8242; diskant<br \/>\nRugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Octaaf 2&#8242;, Mixtuur<br \/>\nPedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Octaaf 4&#8242;<br \/>\nMan+RW, Ped+Man<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/10\/Fischer-der-Tag-der-ist-so-Freudenreich.pdf\"data-kccpid=\"2757\">Fischer, Der tag der ist so freudenreich<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-tZgupLWz10\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 29<\/p>","protected":false},"excerpt":{"rendered":"<p>This choral prelude is also known as &#8220;Ricercar pro Festis Natalytis&#8221;. Carl Philipp Emanuel Bach wrote that his father considered Fischer to be one of the greatest composers of his time. This ricercar can help to understand why. It is a very cleverly constructed fugue on the first line of &#8220;Der Tag der ist so freudenreich&#8221;. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration Manuaal: Prestant 8&#8242;, Octaaf 4&#8242;, Octaaf 2&#8242;, Trompet 8&#8242; bas, Trompet 8&#8242; diskant Rugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Octaaf 2&#8242;, Mixtuur Pedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Octaaf 4&#8242; Man+RW, Ped+Man Score Fischer, Der tag der ist so freudenreich Performance Views: 29<\/p>\n","protected":false},"author":1,"featured_media":2761,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[23,7],"tags":[],"class_list":["post-2757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fischer-johann-caspar-ferdinand","category-scores","genre-choral-prelude","genre-der-tag-der-ist-so-freudenreich"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/10\/Fischer_Der_Tag_preview.jpg?fit=776%2C631&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-It","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2757"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2757\/revisions"}],"predecessor-version":[{"id":9543,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2757\/revisions\/9543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2761"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}