{"id":2791,"date":"2016-10-29T15:12:41","date_gmt":"2016-10-29T13:12:41","guid":{"rendered":"http:\/\/partitura.org\/?p=2791"},"modified":"2018-06-14T20:33:42","modified_gmt":"2018-06-14T18:33:42","slug":"dietrich-buxtehude-puer-natus-bethlehem-buxwv-217","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-puer-natus-bethlehem-buxwv-217\/","title":{"rendered":"Dietrich Buxtehude, Puer natus in Bethlehem, BuxWV 217"},"content":{"rendered":"<p>BuxWV 217 is one of the shortest chorale preludes by Buxtehude. The character is solemn and dignified. Ideally suited I think to use a Trompet stop as cantus firmus. I wish I could play it the way <a href=\"https:\/\/www.youtube.com\/watch?v=kCMsz51CXC8\">Gerard van Reenen<\/a> does.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p>Registration<br \/>\nManuaal: Prestant 8&#8242;, Octaaf 4&#8242;, Trompet 8&#8242; bas, Trompet 8&#8242; diskant (RH)<br \/>\nRugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Kromhoorn 8&#8242; (LH)<br \/>\nPedaal: Prestant 16&#8242;, Octaaf 8&#8242;, <\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/10\/Buxtehude-Puer-natus-in-Bethlehem-BuxWV217.pdf\"data-kccpid=\"2791\">Buxtehude, Puer natus in Bethlehem, BuxWV 217<\/a><\/p>\n<p><strong>Score (non alto)<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/10\/Buxtehude-Puer-natus-in-Bethlehem-BuxWV217-non-alto.pdf\"data-kccpid=\"2791\">Buxtehude, Puer natus in Bethlehem, BuxWV 217 (non alto)<\/a><\/p>\n<p><strong>MP3<\/strong><br \/>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; height:24px; overflow:hidden;\"><\/div>\n\t\t\t\t <div id=\"T_mp3j_0\" class=\"player-track-title right-mjp bold-mjp plain-mjp childNorm-mjp childItalic-mjp titleHide-mjp\" style=\"left:20px; right:20px;  top:1px;\"><\/div>\n\t\t\t\t <div class=\"bars_holder\">\n\t\t\t\t\t <div class=\"loadMI_mp3j\" id=\"load_mp3j_0\"><\/div>\n\t\t\t\t\t <div class=\"poscolMI_mp3j soften-mjp\" id=\"poscol_mp3j_0\"><\/div>\n\t\t\t\t\t <div class=\"posbarMI_mp3j\" id=\"posbar_mp3j_0\"><\/div>\n\t\t\t\t <\/div>\n\t\t\t\t <div id=\"P-Time-MI_0\" class=\"jp-play-time\"><\/div>\n\t\t\t\t <div id=\"T-Time-MI_0\" class=\"jp-total-time\"><\/div>\n\t\t\t\t <div id=\"statusMI_0\" class=\"statusMI\"><\/div>\n\t\t\t\t <div class=\"transport-MI\"><div class=\"play-mjp\" id=\"playpause_mp3j_0\">Play<\/div><div class=\"stop-mjp\" id=\"stop_mp3j_0\">Stop<\/div><\/div>\n\t\t\t\t <div class=\"buttons-wrap-mjp\" id=\"buttons-wrap-mjp_0\">\n\t\t\t\t\t \n\t\t\t\t\t <div class=\"mp3j-popout-MI\" id=\"lpp_mp3j_0\" style=\"\"><\/div>\n\t\t\t\t\t <div id=\"download_mp3j_0\" class=\"dloadmp3-MI\"><\/div>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\t\t <div class=\"mjp-volwrap\">\n\t\t\t\t <div class=\"MIsliderVolume\" id=\"vol_mp3j_0\"><\/div>\n\t\t\t\t <div class=\"innerExt1\" id=\"innerExt1_0\"><\/div>\n\t\t\t\t <div class=\"innerExt2\" id=\"innerExt2_0\"><\/div>\n\t\t\t <\/div>\n\t\t <\/div>\n\t\t <div style=\"display:none;\" class=\"Ebetween-mjp\" id=\"Ebetween-mjp_0\"><\/div>\n\t\t <div class=\"listwrap_mp3j\" id=\"L_mp3j_0\" style=\"overflow:auto; 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The character is solemn and dignified. Ideally suited I think to use a Trompet stop as cantus firmus. I wish I could play it the way Gerard van Reenen does. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration Manuaal: Prestant 8&#8242;, Octaaf 4&#8242;, Trompet 8&#8242; bas, Trompet 8&#8242; diskant (RH) Rugwerk: Holpijp 8&#8242;, Prestant 4&#8242;, Kromhoorn 8&#8242; (LH) Pedaal: Prestant 16&#8242;, Octaaf 8&#8242;, Score Buxtehude, Puer natus in Bethlehem, BuxWV 217 Score (non alto) Buxtehude, Puer natus in Bethlehem, BuxWV 217 (non alto) MP3 Views: 33<\/p>\n","protected":false},"author":1,"featured_media":2789,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,7],"tags":[],"class_list":["post-2791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buxtehude-dietrich","category-scores","genre-choral-prelude","genre-puer-natus-in-bethlehem"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/10\/BuxWV217_preview.jpg?fit=770%2C490&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-J1","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2791","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2791"}],"version-history":[{"count":1,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2791\/revisions"}],"predecessor-version":[{"id":6097,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2791\/revisions\/6097"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2789"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2791"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2791"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2791"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}