{"id":2817,"date":"2016-11-13T21:19:48","date_gmt":"2016-11-13T19:19:48","guid":{"rendered":"http:\/\/partitura.org\/?p=2817"},"modified":"2021-12-05T18:53:28","modified_gmt":"2021-12-05T16:53:28","slug":"dietrich-buxtehude-dulci-jubilo-buxwv-197","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-dulci-jubilo-buxwv-197\/","title":{"rendered":"Dietrich Buxtehude, In dulci jubilo, BuxWV197"},"content":{"rendered":"<p>Buxtehude\u2019s prelude on \u201cIn dulci jubilo\u201d is a typical example of Buxtehude\u2019s chorale prelude style. The melody is very colourfully embellished and the middle voices are expertly crafted . The bass voice plays parts of the choral melody as well, but always almost unnoticed, as it fits very well in the harmonical structure of the piece. To me that\u2019s one of the most telling indications of the genius of Buxtehude.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. <\/p>\n<p>Bw: Baarpijp 8\u2032, Vox Humana 8\u2032, Tremulant (LH)<br \/>\nRw: Praestant 8\u2032, Quintadena 8\u2032, Octaaf 4\u2032 (RH)<br \/>\nPed: Subbas 16\u2032, Holfluit 8\u2032<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/11\/Buxtehude-In-dulci-jubilo-BuxWV197.pdf\"data-kccpid=\"2817\">Buxtehude, In dulci jubilo, BuxWV197<\/a><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/11\/Buxtehude-In-dulci-jubilo-BuxWV197-no-alto.pdf\"data-kccpid=\"2817\">Buxtehude, In dulci jubilo, BuxWV197 (non alto)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/NBHnHBrDnGY\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 60<\/p>","protected":false},"excerpt":{"rendered":"<p>Buxtehude\u2019s prelude on \u201cIn dulci jubilo\u201d is a typical example of Buxtehude\u2019s chorale prelude style. The melody is very colourfully embellished and the middle voices are expertly crafted . The bass voice plays parts of the choral melody as well, but always almost unnoticed, as it fits very well in the harmonical structure of the piece. To me that\u2019s one of the most telling indications of the genius of Buxtehude. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Bw: Baarpijp 8\u2032, Vox Humana 8\u2032, Tremulant (LH) Rw: Praestant 8\u2032, Quintadena 8\u2032, Octaaf 4\u2032 (RH) Ped: Subbas 16\u2032, Holfluit 8\u2032 Score Buxtehude, In dulci jubilo, BuxWV197 Buxtehude, In dulci jubilo, BuxWV197 (non alto) Performance Views: 60<\/p>\n","protected":false},"author":1,"featured_media":2827,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,7],"tags":[],"class_list":["post-2817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buxtehude-dietrich","category-scores","genre-choral-prelude","genre-in-dulci-jubilo"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/11\/Buxtehude_BuxWV197_preview.jpg?fit=751%2C503&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Jr","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2817"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2817\/revisions"}],"predecessor-version":[{"id":9983,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2817\/revisions\/9983"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2827"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}