{"id":2869,"date":"2016-12-04T10:34:07","date_gmt":"2016-12-04T08:34:07","guid":{"rendered":"http:\/\/partitura.org\/?p=2869"},"modified":"2022-02-20T19:02:11","modified_gmt":"2022-02-20T17:02:11","slug":"georg-friedrich-kauffmann-lobt-gott-ihr-christen-allzugleich","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-lobt-gott-ihr-christen-allzugleich\/","title":{"rendered":"Georg Friedrich Kauffmann, Lobt Gott ihr Christen all&#8217;zugleich"},"content":{"rendered":"<p>The second prelude by Kauffmann on &#8220;Lobt Gott ihr Christen all&#8217;zugleich&#8221; is a much shorter work than the one I <a href=\"https:\/\/partitura.org\/index.php\/georg-friedrich-kaufmann-lobt-gott-ihr-christen-zugleich\/\">published almost two months ago<\/a>. It is a short fugue on the first phrase of the choral melody. <\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p>Registration<br \/>\nManuaal: Prestant 8&#8242;, Octaaf 4&#8242;<br \/>\nPedaal: Prestant 16&#8242;, Octaaf 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2016\/11\/Kaufmann-Lobt-Gott-ihr-Chrsiten-all-zugleich-2.pdf\" data-kccpid=\"2869\">Kauffmann, Lobt Gott ihr Christen all&#8217;zugleich (2)<\/a><\/p>\n<p><strong>Score (pedal)<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2015\/02\/Kaufmann-Lobt-Gott-ihr-Chrsiten-all-zugleich-2-pedal.pdf\" data-kccpid=\"2869\">Kaufmann, Lobt Gott ihr Chrsiten all zugleich (2) pedal<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/befpvzHH4gE \"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 21<\/p>","protected":false},"excerpt":{"rendered":"<p>The second prelude by Kauffmann on &#8220;Lobt Gott ihr Christen all&#8217;zugleich&#8221; is a much shorter work than the one I published almost two months ago. It is a short fugue on the first phrase of the choral melody. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Registration Manuaal: Prestant 8&#8242;, Octaaf 4&#8242; Pedaal: Prestant 16&#8242;, Octaaf 8&#8242; Score Kauffmann, Lobt Gott ihr Christen all&#8217;zugleich (2) Score (pedal) Kaufmann, Lobt Gott ihr Chrsiten all zugleich (2) pedal Performance Views: 21<\/p>\n","protected":false},"author":1,"featured_media":2873,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-2869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-lobt-gott-ihr-christen-allzugleich"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2016\/11\/Kauffmann_Lobt_Gott_preview.jpg?fit=747%2C564&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Kh","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=2869"}],"version-history":[{"count":6,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2869\/revisions"}],"predecessor-version":[{"id":10185,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/2869\/revisions\/10185"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/2873"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=2869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=2869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=2869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}