{"id":2906,"date":"2016-11-22T10:03:14","date_gmt":"2016-11-22T08:03:14","guid":{"rendered":"http:\/\/partitura.org\/?p=2906"},"modified":"2018-06-14T20:25:41","modified_gmt":"2018-06-14T18:25:41","slug":"georg-friedrich-kauffmann-gelobet-seist-du-jesu-christ","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-gelobet-seist-du-jesu-christ\/","title":{"rendered":"Georg Friedrich Kauffmann, Gelobet seist du Jesu Christ"},"content":{"rendered":"

Kauffmann’s prelude on “Gelobet seist du Jesu Christ” is a bicinium. The registration Kauffmann prescribes that the left hand should probably be played an octave higher. I choose to mimic Kauffmann’s registration on a 8 foot basis.<\/p>\n

The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs<\/a> for Hauptwerk. <\/p>\n

Registrion:
\nBw: Vox Humana 8′
\nHw: Viola di Gamba 8′
\nRw: Quintadena 8′, Fluit Douce 4′, Tregter Regaal 8′
\nHw+Bw<\/p>\n

Score<\/strong>
\n\"pdf_icon\"Kauffmann, Gelobet seist du Jesu Christ<\/a><\/p>\n

MP3:<\/strong>
\n\n

\n\t
<\/div>\n\t
\n\t\t
\n\t\t\t
<\/div>\n\t\t\t
<\/div>\n\t\t\t
<\/div>\n\t\t\t
<\/div>\n\t\t\t
\n\t\t\t\t
<\/div>\n\t\t\t\t
<\/div>\n\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t
<\/div>\n\t\t\t\t <\/div>\n\t\t\t\t
<\/div>\n\t\t\t\t
<\/div>\n\t\t\t\t
<\/div>\n\t\t\t\t
Play<\/div>
Stop<\/div><\/div>\n\t\t\t\t
\n\t\t\t\t\t \n\t\t\t\t\t
<\/div>\n\t\t\t\t\t
<\/div>\n\t\t\t\t <\/div>\n\t\t\t <\/div>\n\t\t\t
\n\t\t\t\t
<\/div>\n\t\t\t\t
<\/div>\n\t\t\t\t
<\/div>\n\t\t\t <\/div>\n\t\t <\/div>\n\t\t
<\/div>\n\t\t
<\/div>
  • <\/li><\/ul><\/div><\/div><\/div>\n\t <\/div>\n\t
    <\/div>
    <\/div>
    X<\/div><\/div><\/div>
    <\/div>\n\t
    <\/div>\n\t
    <\/div>\n <\/div> \n