{"id":3288,"date":"2017-03-14T07:37:32","date_gmt":"2017-03-14T05:37:32","guid":{"rendered":"http:\/\/partitura.org\/?p=3288"},"modified":"2021-02-28T17:09:32","modified_gmt":"2021-02-28T15:09:32","slug":"georg-friedrich-kauffmann-wie-schon-leuchtet-der-morgenstern-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-wie-schon-leuchtet-der-morgenstern-2\/","title":{"rendered":"Georg Friedrich Kauffmann, Wie sch\u00f6n leuchtet der Morgenstern"},"content":{"rendered":"<p>This prelude is one of the six Kauffmann wrote for the combination organ and oboe. It is a lively piece in 6\/8 meter. Kauffmann has a knack for writing in ternary rythm. Those pieces have something special and this one is no exeption. The oboe is used to for the choral melody while the organ plays a trio like accompaniment. A nice detail is that the oboe plays the first two notes of the choral melody three times: an eighteenth century wake-up call.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nBW: Vox Humana 8&#8242;, Baarpijp 8&#8242;, Octaaf 4&#8242; (LH)<br \/>\nHW: Octaaf 8&#8242;, Roerfluit 8&#8242;, Quintpraestant 3&#8242;, Oboe 8&#8242;, Trompet 4&#8242; (Oboe)<br \/>\nRW: Praestant 8&#8242; (RH)<br \/>\nPed: Subbas 16&#8242;, Holfluit 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/03\/Kauffmann-20-Wie-schon-leuchtet.pdf\" data-kccpid=\"3288\">Kauffmann, Wie sch\u00f6n leuchtet der Morgenstern<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/kda3TMhGIWI\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 50<\/p>","protected":false},"excerpt":{"rendered":"<p>This prelude is one of the six Kauffmann wrote for the combination organ and oboe. It is a lively piece in 6\/8 meter. Kauffmann has a knack for writing in ternary rythm. Those pieces have something special and this one is no exeption. The oboe is used to for the choral melody while the organ plays a trio like accompaniment. A nice detail is that the oboe plays the first two notes of the choral melody three times: an eighteenth century wake-up call. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Vox Humana 8&#8242;, Baarpijp 8&#8242;, Octaaf 4&#8242; (LH) HW: Octaaf 8&#8242;, Roerfluit 8&#8242;, Quintpraestant 3&#8242;, Oboe 8&#8242;, Trompet 4&#8242; (Oboe) RW: Praestant 8&#8242; (RH) Ped: Subbas 16&#8242;, Holfluit 8&#8242; Score Kauffmann, Wie sch\u00f6n leuchtet der Morgenstern Performance Views: 50<\/p>\n","protected":false},"author":1,"featured_media":3283,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-wie-schon-leuchtet-der-morgenstern"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/03\/Kauffmann_Wie_sch%C3%B6n_leuchtet_hobo_preview.jpg?fit=834%2C534&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-R2","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3288"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3288\/revisions"}],"predecessor-version":[{"id":9523,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3288\/revisions\/9523"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3283"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3288"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3288"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}