{"id":3290,"date":"2017-03-28T20:14:10","date_gmt":"2017-03-28T18:14:10","guid":{"rendered":"http:\/\/partitura.org\/?p=3290"},"modified":"2021-02-28T17:14:04","modified_gmt":"2021-02-28T15:14:04","slug":"georg-friedrich-kauffmann-ach-gott-vom-himmel-sieh-darein","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-ach-gott-vom-himmel-sieh-darein\/","title":{"rendered":"Georg Friedrich Kauffmann, Ach Gott vom Himmel sieh darein"},"content":{"rendered":"<p>The third prelude of Kauffmann&#8217;s &#8220;Harmonische Seelenlust&#8221; that employs the oboe for the choral melody is as beautiful as the two I posted earlier. This time it is a slow movement, full of &#8216;Seufzer&#8217; in the organ part. The registration prescription Kauffmann gives for these pieces with oboe is interesting as well: the three pieces I posted until now have a somewhat stronger registration for the left hand than for the right hand. Very good for learning to play trio-like textures.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nBW: Vox Humana 8&#8242;, Flagfluit 4&#8242; (LH)<br \/>\nHW: Viola di Gamba 8&#8242;, Oboe 8&#8242; (Oboe)<br \/>\nRW: Holpijp 8&#8242;, Quintadena 8&#8242; (RH)<br \/>\nPed: Subbas 16&#8242;, Holfluit 8&#8242;.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/03\/Kauffmann-24-Ach-Gott-vom-Himmel-sieh-darein.pdf\" data-kccpid=\"3290\">Kauffmann, Ach Gott vom Himmel sieh darein<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/X_iVztoRo3Q\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 8<\/p>","protected":false},"excerpt":{"rendered":"<p>The third prelude of Kauffmann&#8217;s &#8220;Harmonische Seelenlust&#8221; that employs the oboe for the choral melody is as beautiful as the two I posted earlier. This time it is a slow movement, full of &#8216;Seufzer&#8217; in the organ part. The registration prescription Kauffmann gives for these pieces with oboe is interesting as well: the three pieces I posted until now have a somewhat stronger registration for the left hand than for the right hand. Very good for learning to play trio-like textures. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Vox Humana 8&#8242;, Flagfluit 4&#8242; (LH) HW: Viola di Gamba 8&#8242;, Oboe 8&#8242; (Oboe) RW: Holpijp 8&#8242;, Quintadena 8&#8242; (RH) Ped: Subbas 16&#8242;, Holfluit 8&#8242;. Score Kauffmann, Ach Gott vom Himmel sieh darein Performance Views: 8<\/p>\n","protected":false},"author":1,"featured_media":3282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3290","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-ach-gott-vom-himmel-sieh-darein","genre-choral-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/03\/Kauffmann_Ach_Gott_hobo_preview.jpg?fit=851%2C567&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-R4","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3290","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3290"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3290\/revisions"}],"predecessor-version":[{"id":9527,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3290\/revisions\/9527"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3282"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3290"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3290"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3290"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}