{"id":3413,"date":"2017-04-20T22:17:59","date_gmt":"2017-04-20T20:17:59","guid":{"rendered":"http:\/\/partitura.org\/?p=3413"},"modified":"2021-02-28T17:02:57","modified_gmt":"2021-02-28T15:02:57","slug":"georg-friedrich-kauffmann-valet-will-ich-dir-geben-1","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-valet-will-ich-dir-geben-1\/","title":{"rendered":"Georg Friedrich Kauffmann, Valet will ich dir geben (1)"},"content":{"rendered":"<p>Kauffmann&#8217;s first prelude on &#8220;Valet will ich dir geben&#8221; calls for a combination that I by now consider as &#8216;typically Kauffmann&#8217;: Fagott 16&#8242;, Quintadena 8&#8242; and Principal 4&#8242;. It&#8217;s not the exact combination that is typical, but the combination of flavors: a reed, a quintadena, a 16-feet register and a 8-feet. I&#8217;m stil not sure the 16-feet means that the piece is to be played an octave up or as notated. By means of experiment this time I play it as written \u00e1nd with the 16-feet Fagot. That result is actually quite intruiging.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nRW: Fagot 16&#8242;, Quintadena 8&#8242;, Octaaf 4&#8242;<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/04\/Kauffmann-26-Valet-wil-ich-dir-geben.pdf\" data-kccpid=\"3413\">Kauffmann, Valet wil ich dir geben<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/4npWG1i0klA\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 87<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s first prelude on &#8220;Valet will ich dir geben&#8221; calls for a combination that I by now consider as &#8216;typically Kauffmann&#8217;: Fagott 16&#8242;, Quintadena 8&#8242; and Principal 4&#8242;. It&#8217;s not the exact combination that is typical, but the combination of flavors: a reed, a quintadena, a 16-feet register and a 8-feet. I&#8217;m stil not sure the 16-feet means that the piece is to be played an octave up or as notated. By means of experiment this time I play it as written \u00e1nd with the 16-feet Fagot. That result is actually quite intruiging. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: RW: Fagot 16&#8242;, Quintadena 8&#8242;, Octaaf 4&#8242; Kauffmann, Valet wil ich dir geben Performance Views: 87<\/p>\n","protected":false},"author":1,"featured_media":3414,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-valet-wil-ich-dir-geben"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/04\/Kauffmann_Valet_will_ich_dir_geben.jpg?fit=847%2C542&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-T3","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3413"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3413\/revisions"}],"predecessor-version":[{"id":9516,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3413\/revisions\/9516"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3414"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}