{"id":3520,"date":"2017-05-19T05:51:13","date_gmt":"2017-05-19T03:51:13","guid":{"rendered":"http:\/\/partitura.org\/?p=3520"},"modified":"2021-02-28T16:50:02","modified_gmt":"2021-02-28T14:50:02","slug":"georg-friedrich-kauffmann-o-herre-gott-dein-gottlich-wort-alio-modo","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-o-herre-gott-dein-gottlich-wort-alio-modo\/","title":{"rendered":"Georg Friedrich Kauffmann, O Herre Gott, dein G\u00f6ttlich Wort (Alio modo)"},"content":{"rendered":"<p>Again a piece with an unusual registration prescription. No indication however which hand should play on which manual. So I made two recordings. Probably Kauffmann meant the combination I play first, but the second one has a very nice effect as well.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nBW: Quintadena 16&#8242;, Praestant 8&#8242;, Baarpijp 8&#8242;<br \/>\nHW: Woudfluit 2&#8242;<br \/>\nRW: Fagott 16&#8242;, Quintadena 8&#8242;, Superoctaaf 2&#8242;<br \/>\nHW+RW<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/05\/Kauffmann-32-O-Herre-Gott-dein-Gottlich-Wort.pdf\"data-kccpid=\"3520\">Kauffmann, O Herre Gott dein Gottlich Wort (Alio modo)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/lBX_ieRA9kE\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 13<\/p>","protected":false},"excerpt":{"rendered":"<p>Again a piece with an unusual registration prescription. No indication however which hand should play on which manual. So I made two recordings. Probably Kauffmann meant the combination I play first, but the second one has a very nice effect as well. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Quintadena 16&#8242;, Praestant 8&#8242;, Baarpijp 8&#8242; HW: Woudfluit 2&#8242; RW: Fagott 16&#8242;, Quintadena 8&#8242;, Superoctaaf 2&#8242; HW+RW Kauffmann, O Herre Gott dein Gottlich Wort (Alio modo) Performance Views: 13<\/p>\n","protected":false},"author":1,"featured_media":3518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-o-herre-gott-dein-gottlich-wort"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/05\/Kauffmann_O_Herre_Gott_Alio_modo_preview.jpg?fit=902%2C569&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-UM","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3520"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3520\/revisions"}],"predecessor-version":[{"id":9505,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3520\/revisions\/9505"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3518"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}