{"id":3543,"date":"2017-05-17T21:13:48","date_gmt":"2017-05-17T19:13:48","guid":{"rendered":"http:\/\/partitura.org\/?p=3543"},"modified":"2021-02-28T16:51:05","modified_gmt":"2021-02-28T14:51:05","slug":"georg-friedrich-kauffmann-o-herre-gott-dein-gottlich-wort","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-o-herre-gott-dein-gottlich-wort\/","title":{"rendered":"Georg Friedrich Kauffmann, O Herre Gott, dein G\u00f6ttlich Wort"},"content":{"rendered":"<p>Kauffmann wrote three preludes to the choral &#8220;O Herre Gott, dein G\u00f6ttlich Wordt&#8221;. Or perhaps I should say &#8220;two and a half&#8221; since the third one is really short. In the choral prelude of these three Kauffmann shows his more lyrical side. The choral melody is played and embellished in smooth flowing lines. To emphasize this Keuffmann gives the tempo indication &#8220;Con Affetto&#8221;. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nRW: Praestant 8&#8242;, Holpijp 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/05\/Kauffmann-31-O-Herre-Gott-dein-Gottlich-Wort-2.pdf\"data-kccpid=\"3543\">Kauffmann, O Herre Gott dein G\u00f6ttlich Wort<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/z7nMSjWDFZs\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 13<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann wrote three preludes to the choral &#8220;O Herre Gott, dein G\u00f6ttlich Wordt&#8221;. Or perhaps I should say &#8220;two and a half&#8221; since the third one is really short. In the choral prelude of these three Kauffmann shows his more lyrical side. The choral melody is played and embellished in smooth flowing lines. To emphasize this Keuffmann gives the tempo indication &#8220;Con Affetto&#8221;. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: RW: Praestant 8&#8242;, Holpijp 8&#8242; Score Kauffmann, O Herre Gott dein G\u00f6ttlich Wort Performance Views: 13<\/p>\n","protected":false},"author":1,"featured_media":3542,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-o-herre-gott-dein-gottlich-wort"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/05\/Kauffmann_O_Herre_Gott_preview.jpg?fit=890%2C562&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-V9","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3543","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3543"}],"version-history":[{"count":5,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3543\/revisions"}],"predecessor-version":[{"id":9506,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3543\/revisions\/9506"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3542"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3543"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3543"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3543"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}