This is the second post with a piece from the organbook of Matthias Rottenau. The book is divided in several parts, each of which contains one type of piece: Praeambule, Introiti, Toccate, Canzone, Capricci and Ricercare. In each part, except the part with Capricci, Erbach is present with several pieces. And in each part there are several or even a lot of pieces with no name of a composer attached to it. With so many pieces, it’s hard to chose which one to do next. So it’s a bit arbitrary that I choose a canzona of Erbach.<\/p>\n
Even though it’s another type of piece than the Ricercare I posted last week<\/a> it has a lot of similarities with it. It is reminiscent of a fugue, but has, compared with the Ricercar, more free episodes. And it has overall a lighter touch.<\/p>\n The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n Registration Score<\/strong> Performance<\/strong>
\nHW: Prestant 8′, Octaaf 4′,
\nRW: Quintadena 8′, Octaaf 2′
\nHW+BW<\/p>\n
\n![\"pdf_icon\"](\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&ssl=1\"){kind=icon}
Erbach, Canzona tertii toni<\/a><\/p>\n
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