{"id":3624,"date":"2017-06-18T18:46:28","date_gmt":"2017-06-18T16:46:28","guid":{"rendered":"http:\/\/partitura.org\/?p=3624"},"modified":"2021-02-28T16:42:28","modified_gmt":"2021-02-28T14:42:28","slug":"georg-friedrich-kauffmann-dich-habe-ich-gehoffet-alio-modo","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-dich-habe-ich-gehoffet-alio-modo\/","title":{"rendered":"Georg Friedrich Kauffmann, In dich habe ich gehoffet (alio modo)"},"content":{"rendered":"<p>Kauffmann prescribes again a 16-feet reed for this choral prelude. I tried the combination he suggets, but it makes the music very heavy to my ears. So I use a different registration in this recording. It&#8217;s a well written piece. From each fragment of the chorale melody a short motif is derived that is used in the other voices to accompany the choral melody.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nRW: Praestant 8&#8242;, Speelfluit 3&#8242;, Tregterregaal 8&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/06\/Kauffmann-35-In-dich-habe-ich-gehoffet.pdf\" data-kccpid=\"3624\">Kauffmann, In dich habe ich gehoffet (alio modo)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/hy7AFqxzDHs\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 7<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann prescribes again a 16-feet reed for this choral prelude. I tried the combination he suggets, but it makes the music very heavy to my ears. So I use a different registration in this recording. It&#8217;s a well written piece. From each fragment of the chorale melody a short motif is derived that is used in the other voices to accompany the choral melody. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: RW: Praestant 8&#8242;, Speelfluit 3&#8242;, Tregterregaal 8&#8242; Score Kauffmann, In dich habe ich gehoffet (alio modo) Performance Views: 7<\/p>\n","protected":false},"author":1,"featured_media":3689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-in-dich-habe-ich-gehoffet"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/06\/Kauffmann_In_Dich_habe_alio_modo_preview.png?fit=1082%2C696&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Ws","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3624"}],"version-history":[{"count":4,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3624\/revisions"}],"predecessor-version":[{"id":9498,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3624\/revisions\/9498"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3689"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}