{"id":3665,"date":"2017-06-23T21:31:25","date_gmt":"2017-06-23T19:31:25","guid":{"rendered":"http:\/\/partitura.org\/?p=3665"},"modified":"2021-02-28T16:40:44","modified_gmt":"2021-02-28T14:40:44","slug":"georg-friedrich-kauffmann-nun-freut-euch-lieben-christen-gemein","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-nun-freut-euch-lieben-christen-gemein\/","title":{"rendered":"Georg Friedrich Kauffmann, Nun freut euch lieben Christen gemein"},"content":{"rendered":"<p>Kauffmann&#8217;s prelude on &#8220;Nun freut euch lieben Christen gemein&#8221; is a lovely bicinium. The left had accompanies with scales and broken chords the chorale melody in the right hand. Kauffmann prescribes (again!) a 16&#8242; reed for the left hand. And it acutally works quit well in this piece.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nBW: Vox Humana 8&#8242;<br \/>\nHW: Viola di Gamba 8&#8242;<br \/>\nRW: Holpijp 8&#8242;, Fagot 16&#8242;<br \/>\nHW+BW<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/06\/Kauffmann-42-Nun-freut-euch-lieben-Christen-gemein.pdf\"data-kccpid=\"3665\">Kauffmann, Nun freut euch lieben Christen gemein<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/7JoMvkaVABA\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 14<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s prelude on &#8220;Nun freut euch lieben Christen gemein&#8221; is a lovely bicinium. The left had accompanies with scales and broken chords the chorale melody in the right hand. Kauffmann prescribes (again!) a 16&#8242; reed for the left hand. And it acutally works quit well in this piece. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: BW: Vox Humana 8&#8242; HW: Viola di Gamba 8&#8242; RW: Holpijp 8&#8242;, Fagot 16&#8242; HW+BW Score Kauffmann, Nun freut euch lieben Christen gemein Performance Views: 14<\/p>\n","protected":false},"author":1,"featured_media":3670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3665","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-nun-freut-euch-lieben-christen-gmein"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/06\/Kauffmann_42_Nun-freut_euch_preview.png?fit=1077%2C692&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-X7","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3665"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3665\/revisions"}],"predecessor-version":[{"id":9496,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3665\/revisions\/9496"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3670"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}