{"id":3720,"date":"2017-07-15T18:36:14","date_gmt":"2017-07-15T16:36:14","guid":{"rendered":"http:\/\/partitura.org\/?p=3720"},"modified":"2021-02-28T16:18:22","modified_gmt":"2021-02-28T14:18:22","slug":"georg-friedrich-kauffmann-allein-gott-der-hoh-sei-ehr","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-allein-gott-der-hoh-sei-ehr\/","title":{"rendered":"Georg Friedrich Kauffmann, Allein Gott in der H\u00f6h sei Ehr"},"content":{"rendered":"<p>When Kauffmann uses a ternary rythm, something special is the result. The prelude on &#8220;Allen Gott in der H\u00f6h sei Ehr&#8221; is no exception to that rule. The melody is played with the pedals, the hands play with easy flowing triplets a beautiful accompaniment to the melody.<\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nHW: Octaaf 8&#8242;, Octaaf 4&#8242;, Woudfluit 2&#8242;, Scherp<br \/>\nRW: Praestant 8&#8242;, Octaaf 4&#8242;, Speelfluit 3&#8242;, Superoctaaf 2&#8242;, Sesquialter, Mixtuur<br \/>\nPed: Praestant 16&#8242;, Bazuin 16&#8242;<br \/>\nHW+RW, Ped+HW<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/08\/Kauffmann-44-Allein-Gott-in-der-Hoh-sei-Ehr.pdf\" data-kccpid=\"3720\">Kauffmann, Allein Gott in der Hoh sei Ehr<\/a><\/p>\n<p><strong>MP3:<\/strong><br \/>\n<strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/yDC8u51DyM0\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 12<\/p>","protected":false},"excerpt":{"rendered":"<p>When Kauffmann uses a ternary rythm, something special is the result. The prelude on &#8220;Allen Gott in der H\u00f6h sei Ehr&#8221; is no exception to that rule. The melody is played with the pedals, the hands play with easy flowing triplets a beautiful accompaniment to the melody. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: HW: Octaaf 8&#8242;, Octaaf 4&#8242;, Woudfluit 2&#8242;, Scherp RW: Praestant 8&#8242;, Octaaf 4&#8242;, Speelfluit 3&#8242;, Superoctaaf 2&#8242;, Sesquialter, Mixtuur Ped: Praestant 16&#8242;, Bazuin 16&#8242; HW+RW, Ped+HW Score Kauffmann, Allein Gott in der Hoh sei Ehr MP3: Performance Views: 12<\/p>\n","protected":false},"author":1,"featured_media":3727,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3720","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-allein-gott-in-der-hoh-sei-ehr","genre-choral-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/06\/Kauffmann_Allein_Gott_preview.png?fit=1080%2C694&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Y0","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3720"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3720\/revisions"}],"predecessor-version":[{"id":9483,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3720\/revisions\/9483"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3727"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3720"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3720"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}