{"id":3797,"date":"2017-07-09T17:15:09","date_gmt":"2017-07-09T15:15:09","guid":{"rendered":"http:\/\/partitura.org\/?p=3797"},"modified":"2021-02-28T16:23:25","modified_gmt":"2021-02-28T14:23:25","slug":"georg-friedrich-kauffmann-jesu-deine-tiefe-wunden","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-jesu-deine-tiefe-wunden\/","title":{"rendered":"Georg Friedrich Kauffmann, Jesu deine tiefe W\u00fcnden"},"content":{"rendered":"<p>The melody of this choral is also known with the words &#8220;Freu dich sehr, o meine Seele&#8221;. That seems an interesting contrafact, since based on the incipit the meaning is totally different. I should of course look up the complete text of this choral. My interpretation in tempo and registration is based solely on the first words. Not really scholarly, but I like the result. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p>Registration:<br \/>\nHW: Roerfluit 8&#8242;, Octaaf 4&#8242;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/07\/Kauffmann-49-Jesu-deine-tiefe-Wunden.pdf\" data-kccpid=\"3797\">Kauffmann, Jesu deine tiefe Wunden<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/DZt3caJ6dUo\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 11<\/p>","protected":false},"excerpt":{"rendered":"<p>The melody of this choral is also known with the words &#8220;Freu dich sehr, o meine Seele&#8221;. That seems an interesting contrafact, since based on the incipit the meaning is totally different. I should of course look up the complete text of this choral. My interpretation in tempo and registration is based solely on the first words. Not really scholarly, but I like the result. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Registration: HW: Roerfluit 8&#8242;, Octaaf 4&#8242; Score Kauffmann, Jesu deine tiefe Wunden Performance Views: 11<\/p>\n","protected":false},"author":1,"featured_media":3798,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-3797","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-jesu-deine-tiefe-wunden"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/07\/Kauffmann_49_preview.png?fit=1097%2C709&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-Zf","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=3797"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3797\/revisions"}],"predecessor-version":[{"id":9488,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/3797\/revisions\/9488"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/3798"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=3797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=3797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=3797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}