{"id":4104,"date":"2017-10-08T20:30:12","date_gmt":"2017-10-08T18:30:12","guid":{"rendered":"http:\/\/partitura.org\/?p=4104"},"modified":"2021-02-28T15:32:42","modified_gmt":"2021-02-28T13:32:42","slug":"johann-heinrich-buttstett-nun-komm-der-heiden-heiland-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-heinrich-buttstett-nun-komm-der-heiden-heiland-2\/","title":{"rendered":"Johann Heinrich Buttstett, Nun komm der Heiden Heiland"},"content":{"rendered":"<p>This choral prelude by Buttstett presents th e choral melody twice. The first time in long notes in the spoprano voice. The second time again in the soprano voice, but richly embellished. The music ends in a long run of 32th notes down the scale to the low a on the keyboard. It&#8217;s easy to hear this run as a depiction of descend of Jesus from heaven to the newly born boy.<\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/10\/Buttstett-Nun-komm-der-heiden-Heiland-2.pdf\" data-kccpid=\"4104\">Buttstett, Nun komm der heiden Heiland<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/oM90dDacRqM\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 45<\/p>","protected":false},"excerpt":{"rendered":"<p>This choral prelude by Buttstett presents th e choral melody twice. The first time in long notes in the spoprano voice. The second time again in the soprano voice, but richly embellished. The music ends in a long run of 32th notes down the scale to the low a on the keyboard. It&#8217;s easy to hear this run as a depiction of descend of Jesus from heaven to the newly born boy. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Score Buttstett, Nun komm der heiden Heiland Performance Views: 45<\/p>\n","protected":false},"author":1,"featured_media":4106,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[12,7],"tags":[],"class_list":["post-4104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buttstett-johann-heinrich","category-scores","genre-choral-prelude","genre-nun-komm-der-heiden-heiland"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/10\/Buttstett-Nun-komm-der-Heiden-Heiland-preview.png?fit=1181%2C762&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-14c","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=4104"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4104\/revisions"}],"predecessor-version":[{"id":9456,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4104\/revisions\/9456"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/4106"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=4104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=4104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=4104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}