{"id":4147,"date":"2017-10-18T21:11:11","date_gmt":"2017-10-18T19:11:11","guid":{"rendered":"http:\/\/partitura.org\/?p=4147"},"modified":"2021-02-28T15:28:53","modified_gmt":"2021-02-28T13:28:53","slug":"johann-christian-kittel-liebster-jesu-wir-sind-hier","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-christian-kittel-liebster-jesu-wir-sind-hier\/","title":{"rendered":"Johann Christian Kittel, Liebster Jesu, wir sind hier"},"content":{"rendered":"<p>Kittel wrote two small preludes to &#8220;Liebster Jesu, wir sind hier&#8221;. The first is more or less in the style of Bach&#8217;s Orgelb\u00fcchlein. The second is a gigue, based on the choral melody. Since they are really small I decided to put them as one post.<\/p>\n<p>The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=9\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/10\/Kittel-Liebster-Jesu-wir-sind-hier.pdf\" data-kccpid=\"4147\">Kittel, Liebster Jesu, wir sind hier<\/a><\/p>\n<p><strong>Score (Gigue)<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/10\/Kittel-Gigue-Liebster-Jesu.pdf\" data-kccpid=\"4147\">Kittel, Liebster Jesu (Gigue)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/eKVEuriwxCw\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 29<\/p>","protected":false},"excerpt":{"rendered":"<p>Kittel wrote two small preludes to &#8220;Liebster Jesu, wir sind hier&#8221;. The first is more or less in the style of Bach&#8217;s Orgelb\u00fcchlein. The second is a gigue, based on the choral melody. Since they are really small I decided to put them as one post. The recording was done on the sample set of the Holzey organ of St. Peter and Paul in Weissenau by Prospectum. Score Kittel, Liebster Jesu, wir sind hier Score (Gigue) Kittel, Liebster Jesu (Gigue) Performance Views: 29<\/p>\n","protected":false},"author":1,"featured_media":4152,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[9,7],"tags":[],"class_list":["post-4147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kittel-johann-christian","category-scores","genre-choral-prelude","genre-liebster-jesu-wir-sind-hier"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/10\/Kittel_Liebster_Jesu_preview.png?fit=1214%2C786&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-14T","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=4147"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4147\/revisions"}],"predecessor-version":[{"id":9453,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4147\/revisions\/9453"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/4152"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=4147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=4147"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=4147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}