{"id":4280,"date":"2017-11-02T21:27:05","date_gmt":"2017-11-02T19:27:05","guid":{"rendered":"http:\/\/partitura.org\/?p=4280"},"modified":"2021-02-28T15:19:39","modified_gmt":"2021-02-28T13:19:39","slug":"dietrich-buxtehude-wie-schon-leuchtet-der-morgenstern-buxwv-223","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-wie-schon-leuchtet-der-morgenstern-buxwv-223\/","title":{"rendered":"Dietrich Buxtehude, Wie sch\u00f6n leuchtet der Morgenstern, BuxWV 223"},"content":{"rendered":"<p>Buxtehudes&#8217; choral prelude to &#8220;Wie sch\u00f6n leuchtet der Morgenstern&#8221; is a multipart work. The first two parts show the choral melody in a relatively simple setting, first in the bass, then in the soprano voice. The music grows quickly more complex after that, with first a fantasy and then a fugue based on the choral melody. The last rhapsodic section is a brilliant finale with rapid notes and in the last four bars even the pedals join the fun.<\/p>\n<p>The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Prospectum<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/11\/Buxtehude-Wie-schon-leuchtet-der-Morgenstern-BuxWV223.pdf\" data-kccpid=\"4280\">Buxtehude, Wie sch\u00f6n leuchtet der Morgenstern, BuxWV 223<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HsZtrS-VKRo\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 260<\/p>","protected":false},"excerpt":{"rendered":"<p>Buxtehudes&#8217; choral prelude to &#8220;Wie sch\u00f6n leuchtet der Morgenstern&#8221; is a multipart work. The first two parts show the choral melody in a relatively simple setting, first in the bass, then in the soprano voice. The music grows quickly more complex after that, with first a fantasy and then a fugue based on the choral melody. The last rhapsodic section is a brilliant finale with rapid notes and in the last four bars even the pedals join the fun. The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Score Buxtehude, Wie sch\u00f6n leuchtet der Morgenstern, BuxWV 223 Performance Views: 260<\/p>\n","protected":false},"author":1,"featured_media":4285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,7],"tags":[],"class_list":["post-4280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buxtehude-dietrich","category-scores","genre-choral-prelude","genre-wie-schon-leuchtet-der-morgenstern"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/11\/Buxtehude-Wie-sch%C3%B6n-preview.png?fit=1157%2C747&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-172","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=4280"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4280\/revisions"}],"predecessor-version":[{"id":9443,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4280\/revisions\/9443"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/4285"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=4280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=4280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=4280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}