{"id":4351,"date":"2017-11-20T20:59:43","date_gmt":"2017-11-20T18:59:43","guid":{"rendered":"http:\/\/partitura.org\/?p=4351"},"modified":"2021-12-02T20:51:11","modified_gmt":"2021-12-02T18:51:11","slug":"friedrich-wilhelm-zachow-gelobet-seist-du","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/friedrich-wilhelm-zachow-gelobet-seist-du\/","title":{"rendered":"Friedrich Wilhelm Zachow, Gelobet seist du Jesu Christ (LV 30)"},"content":{"rendered":"<p>Besides Johann Michael Bach and Johann Sebastian Bach, the Neumeister manuscript features some works by Zachow. These were already known from other manuscripts, so they were not as much a suprprise as the works by the two Bach family members.<br \/>\nZachow&#8217;s prelude to &#8220;Gelobet seist du Jesu Christ&#8221; is a manualiter three part piece with the choral melody in the soprano voice. <\/p>\n<p>The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by <a href=\"http:\/\/www.sonusparadisi.cz\/en\/organs\/top-selection\/zutphen-virtual-organ-model.html\">Sonus Paradisi<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/11\/Zachow-Gelobet-seist-du-Jesu-Christ.pdf\" data-kccpid=\"4351\">Zachow, Gelobet seist du Jesu Christ<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/YuXsDoKChqM\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 21<\/p>","protected":false},"excerpt":{"rendered":"<p>Besides Johann Michael Bach and Johann Sebastian Bach, the Neumeister manuscript features some works by Zachow. These were already known from other manuscripts, so they were not as much a suprprise as the works by the two Bach family members. Zachow&#8217;s prelude to &#8220;Gelobet seist du Jesu Christ&#8221; is a manualiter three part piece with the choral melody in the soprano voice. The recording was done on the sample set of the Bader-organ in the Walburgiskerk in Zutphen by Sonus Paradisi for Hauptwerk. Score Zachow, Gelobet seist du Jesu Christ Performance Views: 21<\/p>\n","protected":false},"author":1,"featured_media":4350,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7,29],"tags":[],"class_list":["post-4351","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scores","category-zachow-friedrich-wilhelm","genre-choral-prelude","genre-gelobet-seist-du-jesu-christ"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/11\/Zachow-Gelobet-seist-du-Jesu-Christ.png?fit=1092%2C700&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-18b","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4351","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=4351"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4351\/revisions"}],"predecessor-version":[{"id":9963,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4351\/revisions\/9963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/4350"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=4351"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=4351"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=4351"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}