{"id":452,"date":"2015-04-17T13:28:22","date_gmt":"2015-04-17T12:28:22","guid":{"rendered":"http:\/\/partitura.org\/?p=452"},"modified":"2018-10-26T14:58:10","modified_gmt":"2018-10-26T12:58:10","slug":"georg-friedrich-kaufmann-kom-heiliger-geist-herre-gott","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kaufmann-kom-heiliger-geist-herre-gott\/","title":{"rendered":"Georg Friedrich Kauffmann, Komm heiliger Geist, Herre Gott"},"content":{"rendered":"<p>The chorale prelude Komm heiliger Geist, Herre Gott was transcribed from from manuscript Mus.ms. 22541 III, owned by the Staatsbibliothek zu Berlin.<\/p>\n<p>The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by <a href=\"http:\/\/www.prospectum.com\/index.php?language=english&amp;id1=2&amp;id2=8\">Prospectum<\/a>. Kaufmann prescribes a unusual registration for this piece: Fagott 16&#8242;, Quintadeen 8&#8242; and Principal 4&#8242;. That&#8217;s not a combination of stops that&#8217;s readily available on most organs. On this organ there isn&#8217;t any 16&#8242; stop on the manuals. Instead I combined the aliquotes of the second manual with the Principals 8&#8242; and 4&#8242; of the first manual.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2015\/04\/Kaufmann-Komm-heiliger-Geist-Herre-Gott-1.pdf\" data-kccpid=\"452\">Kauffmann, Komm heiliger Geist, Herre Gott<\/a><\/p>\n<p><strong>MP3:<\/strong><\/p>\n\n <div id=\"wrapperMI_0\" class=\"wrap-mjp nostop flip notitle \" style=\"position: relative; padding:0px 0px 10px 0px; margin:0px; width:100%;\">\n\t<div style=\"display:none;\" class=\"Eabove-mjp\" id=\"Eabove-mjp_0\"><\/div>\n\t <div class=\"subwrap-MI\">\n\t\t <div class=\"jp-innerwrap\">\n\t\t\t <div class=\"innerx\"><\/div>\n\t\t\t <div class=\"innerleft\"><\/div>\n\t\t\t <div class=\"innerright\"><\/div>\n\t\t\t <div class=\"innertab\"><\/div>\n\t\t\t <div class=\"interface-mjp\" style=\"height:24px;\" id=\"interfaceMI_0\">\n\t\t\t\t <div class=\"MI-image left-mjp\" id=\"MI_image_0\" style=\" width:100%; 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The recording was done on the sample set of the Silbermann organ of the Stadtkirche Z\u00f6blitz by Prospectum. Kaufmann prescribes a unusual registration for this piece: Fagott 16&#8242;, Quintadeen 8&#8242; and Principal 4&#8242;. That&#8217;s not a combination of stops that&#8217;s readily available on most organs. On this organ there isn&#8217;t any 16&#8242; stop on the manuals. Instead I combined the aliquotes of the second manual with the Principals 8&#8242; and 4&#8242; of the first manual. Score Kauffmann, Komm heiliger Geist, Herre Gott MP3: Views: 13<\/p>\n","protected":false},"author":1,"featured_media":444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-452","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-komm-heiliger-geist-herre-gott"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/04\/Kaufmann_Komm-Heiliger_Geist_Herre_Gott_preview.png?fit=900%2C594&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-7i","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=452"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/452\/revisions"}],"predecessor-version":[{"id":6750,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/452\/revisions\/6750"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/444"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}