{"id":4577,"date":"2017-12-06T23:12:06","date_gmt":"2017-12-06T21:12:06","guid":{"rendered":"http:\/\/partitura.org\/?p=4577"},"modified":"2022-02-20T19:01:37","modified_gmt":"2022-02-20T17:01:37","slug":"dietrich-buxtehude-herr-christ-der-einig-gottes-sohn-buxwv-192","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/dietrich-buxtehude-herr-christ-der-einig-gottes-sohn-buxwv-192\/","title":{"rendered":"Dietrich Buxtehude, Herr Christ der einig Gottes Sohn, BuxWV 192"},"content":{"rendered":"<p>One of the two preludes Buxtehude wrote on the melody of &#8220;Herr Christ, der einig Gottes Sohn&#8221;. It is written in his usual style, with a colourfull solo voice, playing the choral melody with lots of embellishments, and a artful accompaniment. <\/p>\n<p>The recording was done on the sample set of the Mascioni of the parisch church in Azzio, made by <a href=\"http:\/\/piotrgrabowski.pl\/azzio.html\">Piotr Gabrowsky<\/a>.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/12\/Buxtehude-Herr-Christ-der-einig-Gottes-Sohn-BuxWV-192.pdf\"data-kccpid=\"4577\">Buxtehude, Herr Christ, der einig Gottes Sohn, BuxWV 192<\/a><\/p>\n<p><strong>Score (non alto)<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2017\/12\/Buxtehude-Herr-Christ-der-einig-Gottes-Sohn-BuxWV-192-non-alto.pdf\"data-kccpid=\"4577\">Buxtehude, Herr Christ, der einig Gottes Sohn, BuxWV 192 (non alto)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cNd7CYEMz_M\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 17<\/p>","protected":false},"excerpt":{"rendered":"<p>One of the two preludes Buxtehude wrote on the melody of &#8220;Herr Christ, der einig Gottes Sohn&#8221;. It is written in his usual style, with a colourfull solo voice, playing the choral melody with lots of embellishments, and a artful accompaniment. The recording was done on the sample set of the Mascioni of the parisch church in Azzio, made by Piotr Gabrowsky. Score Buxtehude, Herr Christ, der einig Gottes Sohn, BuxWV 192 Score (non alto) Buxtehude, Herr Christ, der einig Gottes Sohn, BuxWV 192 (non alto) Performance Views: 17<\/p>\n","protected":false},"author":1,"featured_media":4580,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[19,7],"tags":[],"class_list":["post-4577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-buxtehude-dietrich","category-scores","genre-choral-prelude","genre-herr-christ-der-einig-gottes-sohn"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2017\/12\/Buxtehude-BuxWV-192-Herr-Christ-preview.png?fit=1004%2C649&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1bP","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4577","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=4577"}],"version-history":[{"count":3,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4577\/revisions"}],"predecessor-version":[{"id":10183,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/4577\/revisions\/10183"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/4580"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=4577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=4577"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=4577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}