{"id":5154,"date":"2018-03-01T21:39:39","date_gmt":"2018-03-01T19:39:39","guid":{"rendered":"http:\/\/partitura.org\/?p=5154"},"modified":"2021-02-27T18:36:29","modified_gmt":"2021-02-27T16:36:29","slug":"johann-peter-kellner-praludium-und-fuge-g-dur-2","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/johann-peter-kellner-praludium-und-fuge-g-dur-2\/","title":{"rendered":"Johann Peter Kellner, Pr\u00e4ludium und Fuge, G dur (2)"},"content":{"rendered":"<p>Manuscript Mus Ms 30195 contains three preludes by Johann Peter Kellner, two of which are followed by a fugue. As far as I could find these three have not been published before. They are typical works by Kellner in that the quality is not very consistent. The first has a very uninspired prelude that is followed by a very nice fugue. The second has a nice idea that is however unevenly worked out and contains a lot of compositional or transcription errors. The third and last one is the most consistent, with a concertant prelude and a short manualiter fugue, based on a chromatic theme. <\/p>\n<p>This is the third of the three. It is perhaps the most even of the three. The prelude contains some nice passage work. The fugue is a charming conclusion, light in touch as it is manualiter, spicened by the chromatic end of the fugue theme. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk.<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/02\/Kellner-Prelude-en-Fuga-G-gr-t-2.pdf\"data-kccpid=\"5154\">Kellner, Pr\u00e4ludium und Fuge, G Dur (2)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/jyzki3kqozE\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 29<\/p>","protected":false},"excerpt":{"rendered":"<p>Manuscript Mus Ms 30195 contains three preludes by Johann Peter Kellner, two of which are followed by a fugue. As far as I could find these three have not been published before. They are typical works by Kellner in that the quality is not very consistent. The first has a very uninspired prelude that is followed by a very nice fugue. The second has a nice idea that is however unevenly worked out and contains a lot of compositional or transcription errors. The third and last one is the most consistent, with a concertant prelude and a short manualiter fugue, based on a chromatic theme. This is the third of the three. It is perhaps the most even of the three. The prelude contains some nice passage work. The fugue is a charming conclusion, light in touch as it is manualiter, spicened by the chromatic end of the fugue theme. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. Score Kellner, Pr\u00e4ludium und Fuge, G Dur (2) Performance Views: 29<\/p>\n","protected":false},"author":1,"featured_media":5147,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[16,7],"tags":[],"class_list":["post-5154","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kllner-johann-peter","category-scores","genre-fuga","genre-prelude"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/02\/Kellner-PenF-G-dur-2-preview.jpg?fit=997%2C638&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1l8","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5154","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=5154"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5154\/revisions"}],"predecessor-version":[{"id":9399,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5154\/revisions\/9399"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/5147"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=5154"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=5154"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=5154"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}