{"id":5245,"date":"2018-03-02T18:43:28","date_gmt":"2018-03-02T16:43:28","guid":{"rendered":"http:\/\/partitura.org\/?p=5245"},"modified":"2021-02-27T18:35:33","modified_gmt":"2021-02-27T16:35:33","slug":"georg-friedrich-kauffmann-o-gott-du-frommer-gott-alio-modo","status":"publish","type":"post","link":"https:\/\/partitura.org\/index.php\/georg-friedrich-kauffmann-o-gott-du-frommer-gott-alio-modo\/","title":{"rendered":"Georg Friedrich Kauffmann, O Gott du frommer Gott (alio modo)"},"content":{"rendered":"<p>Kauffmann&#8217;s second prelude to &#8221; O Gott, du frommer Gott&#8221; is a relativly simple bicinium. Kauffmann does not give a registration prescription with this piece. In other pieces of this kind he usually prescribes a 8&#8242; reed together with a 16&#8242; reed, so that&#8217;s what I used with this piece as well. <\/p>\n<p>The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by <a href=\"http:\/\/www.voxusorgans.com\/en\/product\/haarlem\">Voxus Organs<\/a> for Hauptwerk. For the choral melody I use the Zink 2&#8242;; finally a chance to use it seriously&#8230;<\/p>\n<p><strong>Score<\/strong><br \/>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-128\" src=\"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2015\/02\/pdf_icon.jpg?resize=32%2C32&#038;ssl=1\" alt=\"pdf_icon\" width=\"32\" height=\"32\" \/><a class=\"count\" href=\"https:\/\/partitura.org\/wp-content\/uploads\/2018\/03\/Kauffmann-65-O-Gott-du-frommer-Gott-alio-modo.pdf\"data-kccpid=\"5245\">Kauffmann, O Gott, du frommer Gott (alio modo)<\/a><\/p>\n<p><strong>Performance<\/strong><br \/>\n<iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/cCHecbEdqfU\"  width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>Views: 13<\/p>","protected":false},"excerpt":{"rendered":"<p>Kauffmann&#8217;s second prelude to &#8221; O Gott, du frommer Gott&#8221; is a relativly simple bicinium. Kauffmann does not give a registration prescription with this piece. In other pieces of this kind he usually prescribes a 8&#8242; reed together with a 16&#8242; reed, so that&#8217;s what I used with this piece as well. The recording was done on the sample set of the M\u00fcller-organ in the Sint Bavokerk in Haarlem by Voxus Organs for Hauptwerk. For the choral melody I use the Zink 2&#8242;; finally a chance to use it seriously&#8230; Score Kauffmann, O Gott, du frommer Gott (alio modo) Performance Views: 13<\/p>\n","protected":false},"author":1,"featured_media":5244,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11,7],"tags":[],"class_list":["post-5245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kaufmann-georg-friedrich","category-scores","genre-choral-prelude","genre-o-gott-du-frommer-gott"],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/partitura.org\/wp-content\/uploads\/2018\/03\/Kauffmann-65-O-Gott-preview.jpg?fit=1001%2C645&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5LnuZ-1mB","_links":{"self":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/comments?post=5245"}],"version-history":[{"count":2,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5245\/revisions"}],"predecessor-version":[{"id":9398,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/posts\/5245\/revisions\/9398"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media\/5244"}],"wp:attachment":[{"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/media?parent=5245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/categories?post=5245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/partitura.org\/index.php\/wp-json\/wp\/v2\/tags?post=5245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}